
For The Birds
- Studio
- Pixar Animation Studios
- Animation studio
- Pixar Animation Studios
- Distributor
- Buena Vista Pictures
Synopsis
A group of snooty birds roosting on a telephone wire get their just desserts when a goofy bird drops in.
Characters
Dopey Bird, Birds
Credits
Directing
- Director
- Ralph Eggleston
Producing
- Producer
- Karen Dufilho
- Executive Producer
- John Lasseter
Writing
- Writer
- Ralph Eggleston
Music
- Music
- Riders In The Sky
Animation
- Supervising Animator
- James Ford Murphy
- Animator
- Michael Berenstein, Ben Catmull, Tim Crawfurd, Ike Feldman, Patty Kihm, Karen Kiser, Angus MacLane, Dan Mason, Michael Parks, Karen Prell, Roger Rose, Doug Sheppeck, David Tart, Tasha Wedeen, Adam Wood, Kureha Yokoo
Editing
- Editor
- Jennifer Taylor, Tom Freeman
- Editorial Assistants
- Luis Alvarez Y Alvarez, Craig Alpert
Crew
- Supervising Technical Director
- Bill Wise
- Model Supervisor
- Eben Ostby
- Production Managers
- Renee Jensen, Holly Lloyd
- Layout Artists
- Christine Z. Chang, Craig Good
- Set Dresser
- Derek Williams
- Sculptor
- Norm DeCarlo
- Modeling & Articulation
- Bill Polson, Jun Han Cho
- Master Lighting
- Ana Lacaze
- Lighting Artists
- Jesse Hollander, Jongo, Eileen O'Neill, Bill Sheffler
- Shading Artists
- Brian Rosen, Mitch Prater, David Valdez
- Effects Artists
- Keith Gordon, Leo Hourvitz
- Additional Modeling & Support
- Christine Z. Chang, Cynthia 'Kiki' Petit
- Additional Shading & Support
- Byron Bashforth, Onny P. Carr
- Background Painters
- William Cone, Robin Cooper
- CG Painter
- David Valdez
- Render TDs
- Byron Bashforth, Jerome Strach
- Film Output
- Perrin Cutting, Louis Rivera, Jeff Wan
- Film in Pixar Vision
- Computer Systems Support, Pixar Information System Department
- Post Production Supervisor
- Paul Cichocki
- Production Assistant
- Bahram Hooshmand
- Sound Design
- Tom Myers, Skywalker Sound
- Title Design
- Susan Bradley
- "Big High Wire Hop" written and composed by
- Riders In The Sky
- Additional Character Sound Design
- Jory Prum
- Crew
- Pt. Richmond, California
Companies and other credits
- Animation and Rendering Software Dev.: Pixar Studio Tools Department
- A Pixar Film : Produced at Pixar Animation Studios
- © 2000 Pixar
Production notes
First shown at the Annecy Film Festival; the U.S. premiere was July 24, 2000 at the Siggraph Conference. General release was attached to PIXAR Films Monsters, Inc. on November 2, 2001.
This short featured hand-painted backgrounds rather than computer created ones.
If you look close, you will see a boat in Finding Nemo named "For the Birds."
The small birds on the power line make a repeat appearance in the movie Cars.
This short featured hand-painted backgrounds rather than computer created ones.
If you look close, you will see a boat in Finding Nemo named "For the Birds."
The small birds on the power line make a repeat appearance in the movie Cars.
Awards
Academy Award Winner, Best Short Film (Animated), 2002.
"Spike's Pick for the Oscar This Year," Spike and Mike's Classic Festival of Animation, 2002.
First Prize, Animated Computer 3D Short, Vancouver Effects and Animation Festival, 2001
"Spike's Pick for the Oscar This Year," Spike and Mike's Classic Festival of Animation, 2002.
First Prize, Animated Computer 3D Short, Vancouver Effects and Animation Festival, 2001
Pictures
Reviews
For The Birds
This story is a sleeper.
Little birds gathering territorially on a telephone-pole line, adjusting their positions as each new one arrives.
Suddendly a big crow-like bird flaps in and takes a space, forcing the little ones to move aside.
Obviously unhappy at this, they begin harrassing big-bird until he loses his balance and falls over, hanging onto the wire by his toes, upside down.
Little birds laugh hysterically, but gradually the line begins to sag until the crow touches the ground, little birds slid up against his feet.
Big bird lets go, the wire becomes a sling-shot which flings little birds into the sky.
Big bird lays there laughing hysterically as little birds, shorn of their feathers, come plunging back to earth around him.
A quick, but beautifully planned sequence with an absolutely unpredictable punch line.

