
Lilo & Stitch
- Studio
- Walt Disney Pictures
- Animation studio
- Walt Disney Feature Animation (Burbank), Walt Disney Studios (Orlando)
- Distributor
- Buena Vista Pictures Distribution
Synopsis
Lilo is a five-year-old Hawaiian girl. She loves taking care of wild animals. Meanwhile, in space, alien authorities have captured the most dangerous of all criminals, Stitch. They are intent on sending him to a prison planet. Stitch does not agree with their plans, and steals a rocket and makes his escape.
The rocket crash-lands on earth, and Stitch- who looks a bit like a six-legged dog- escapes and ends up in an animal shelter. Of course, Lilo sees him and, since he's obviously the most unusual and needy of all the dogs, she takes him home.
The rocket crash-lands on earth, and Stitch- who looks a bit like a six-legged dog- escapes and ends up in an animal shelter. Of course, Lilo sees him and, since he's obviously the most unusual and needy of all the dogs, she takes him home.
Characters
Lilo Pelekai, Stitch (Experiment #626), Nani Pelekai, David Kawena, Dr. Jumba Jookiba, Cobra Bubbles, Pleakley, Captain Gantu, Mrs. Hasagawa, Myrtle Edmonds
Credits
Directing
- Director
- Chris Sanders, Dean Deblois
Producing
- Producer
- Randy Fullmer, Clark Spencer
- Executive Producer
- Don Hahn
Writing
- Writer
- Chris Sanders, Dean Deblois
- Based On An Idea By
- Chris Sanders
Animation
- Animator
- Jonathan Annand, Michael Benet, Travis Blaise, Robert O. Corley, Sasha Dorogov, Ian White (Stitch), Gregg A. Azzopardi, Darko Cesar, Trey Finney, Branko Mihanovic, Philip Morris, Carol Sidl, John Webber (Lilo), Jason Boose, Bob Bryan, John Hurst, Anthony Wayne Michaels, J. C. Tran-Quang-Thieu (Nani), Dominic M. Carola (Cobra Bubbles), David Berthier, Charles Bonifacio, Steve Mason, Tony Stanley (Jumba), Rune Brandt Bennicke, Barry Temple, D. M. Wawrzaszek, David W. Zach (Pleakley, David Kawena)
- Supervising Animators
- Alex Kupershmidt (Stitch), Andreas Deja (Lilo), Stephane Sainte Foi (Nani), Byron Howard (Cobra Bubbles), Bolhem Bouchiba (Jumba), Ruben Aquino (as Ruben A. Aquino) (Pleakley, David Kawena)
- Lead Animators
- James Young Jackson (Grand Councilwoman), Theodore Anthony Lee Ty (Captain Gantu), Dominic M. Carola (Hula Teacher), Mark Henn (Hula Dancers)
- Effects Animators
- Bob Bennett, Jazno Francoeur, Troy A. Gustafson, Stephen McDermott, John David Thornton, Tony West, Garret Wren
- Visual Effects Supervisor
- Joseph F. Gilland
- Clean-Up Animation
- Bryan Sommer
Voices
- Voice
- Daveigh Chase (Lilo), Christopher Michael Sanders (Stitch), Tia Carrere (Nani), Kevin Nealon (Pleakley), David Ogen Stiers (Dr. Jumba), Ving Rhames (Cobra Bubbles), Zoe Caldwell (Grand Coucilwoman), Jason Scott Lee (David Kawena), Kevin Michael Richardson (Captain Gantu), Kunewa Mook (Hula Teacher), Susan Hegarty (Rescue Lady), Amy Hill (Mrs. Hasagawa), Miranda Paige Walls (Myrtle Edmonds), Catherine Cavadini (Feinting Girl, Additional Voices), Steve Alterman, Emily Anderson, Jack Angel, Bill Asing, Erica Beck, Robert Bergen, Steven Jay Blum, Rodger Bumpass, Jennifer Darling, Alexandra Deary, John DeMita, Judi Durand, Greg Finley, Jeff Fischer, Valerie Flueger, Jess Harnell, Barbara Iley, Daamen Krall, Todd Kurosawa, Jason Leonard, Chloe Looper, Mickie McGowan, Courtney Mun, Ashley Rose Orr, Mary Linda Phillips, Patrick Pinney, Paige Pollack, David Randolph, Noreen Reardon, Debra Jean Rogers, Susan Silo, Kath Soucie, Melanie Spore, Doug Stone, Drew Lexi Thomas
Music
- Music
- Alan Silvestri (Original Music)
- Vintage Music
- Elvis
Editing
- Editor
- Darren T. Holmes
- Supervising Editor
- Darren T. Holmes
- Associate Editor
- Eric Dapkewicz
- First Assistant Editor
- Stephen L. Meek
- Animation Editor
- Beth Collins-Stegmaier
Crew
- Casting
- Matthew Jon Beck, Mary Hidalgo, Ruth Lambert
- Casting Associate
- Matthew Jon Beck
- Production Designer
- Paul A. Felix
- Art Director
- Ric Sluiter
- Artistic Coordinator
- Jeff Dutton
- Title Designer
- Brian King
- Character Designers
- Byron Howard, Chris Sanders
- Layout Supervisor
- Arden Chan, Robert Walker
- Journeyman Layout Artist
- Andrew Hickson
- Background Supervisor
- Robert E. Stanton
- Color Stylist
- Kenneth Landrum
- Clean-Up Supervisors
- Philip S. Boyd, Christine Lawrence Finney
- Color Timer
- Chris Delaguardia
- Digital Compositor
- Earl Coffman, Jason Buske
- Visual Effects Supervisor
- Joseph F. Gilland
- Head Final Checker
- Michael D. Lusby
- CAPS Supervisor
- Fran Kirsten
- Computer Animation Supervisor
- Eric Guaglione
- Camera Department Coordinator
- Suzy Zeffren
- Assistant Camera
- Thomas Grealy
- Sound Supervisor, Sound Designer
- Christopher Boyes
- Supervising Sound Editor
- Frank E. Eulner
- Music Editor
- Kenneth Karman
- Assistant Music Editor
- Jacqueline Tager
- Music Producer
- David Bifano
- Music Arranger
- Chris Boardman
- Singer, "Burning Love"
- Wynonna Judd
- Singer, "Can't Help Falling In Love"
- Dhani Lennevald
- Singer
- Elvis Presley
- Orchestra Contractor
- Sandy DeCrescent
- Preview Music Editor
- Tom Kramer
- Sound Effects Editors
- Scott Guitteau, Al Nelson
- Assistant Sound Effects Editor
- Aren Downie
- Additional Sound Effects
- Christopher Scarabosio
- Sound Re-Recording Mixers
- Mel Metcalfe, Terry Porter, Dean A. Zupancic
- ADR Mixer
- Dan Cubert
- ADR Voice Casting
- Barbara Harris
- Post-Production Supervisor
- Lori Korngiebel
- Post-Production Supervisor, Lucasfilm
- Paul Springer
- Post-Production Coordinator
- Katie Hooten
- Additional Production Support
- Chris Hummel
- Software Developers
- James P. Hurrell, Cathy E. Blanco, Michael S. Blum
- Technical Supporter
- Tim David
- Technology Crew
- Mark M. Tokunaga
Production notes
Premiered at the El Capitan Theatre in Los Angeles, California. Nationwide release was on June 21, 2002.
With animated film budgets exploding to 100 million and over, Disney CEO Michael Eisner decided that it was time to take a step back. Lilo & Stitch was that new, lower cost film, and it was given a bare-bones, shoestring budget of 80 million dollars. How Disney could expect to make a decent film with an austere amount?
Mulan co-writers Chris Sanders and Dean DeBlois were brought in to write and direct this film based on an 1985 idea of Sanders' for a children's book. When the setting was moved from Kansas to the Hawaiian island of Kaua'i, the whole story was turned inside-out, and pushed the story in whole new directions.
As with most new Disney films, the key creative team took trips to the locales they were portraying to get a better feel for what many of them had only heard about. It was during one of those trips that a tour guide explained to the team the of Ohana and the extended Hawaiian families. As if to drive the concept home, DeBlois noted that everywhere they went, their guide knew someone.
The artwork for the film grew naturally from Chris Sanders' personal drawing style. Of course, the team was overwhelmed with the natural beauty of the islands. To capture the airy allure of the islands, the directors decided to recreate the bright and delicate atmosphere by painting the backgrounds for the film in watercolors, a medium not used by Disney for a feature film since 1940's Dumbo.
This film took in a total of $145.8 million. It captured nearly $35.3 million at the box office in its opening weekend, making Lilo & Stitch the second highest-grossing Disney animated summer film (the first was "The Lion King," which grossed $40.9 million in its first weekend).
This was the 42th film in the official Disney list of animated films.
With animated film budgets exploding to 100 million and over, Disney CEO Michael Eisner decided that it was time to take a step back. Lilo & Stitch was that new, lower cost film, and it was given a bare-bones, shoestring budget of 80 million dollars. How Disney could expect to make a decent film with an austere amount?
Mulan co-writers Chris Sanders and Dean DeBlois were brought in to write and direct this film based on an 1985 idea of Sanders' for a children's book. When the setting was moved from Kansas to the Hawaiian island of Kaua'i, the whole story was turned inside-out, and pushed the story in whole new directions.
As with most new Disney films, the key creative team took trips to the locales they were portraying to get a better feel for what many of them had only heard about. It was during one of those trips that a tour guide explained to the team the of Ohana and the extended Hawaiian families. As if to drive the concept home, DeBlois noted that everywhere they went, their guide knew someone.
The artwork for the film grew naturally from Chris Sanders' personal drawing style. Of course, the team was overwhelmed with the natural beauty of the islands. To capture the airy allure of the islands, the directors decided to recreate the bright and delicate atmosphere by painting the backgrounds for the film in watercolors, a medium not used by Disney for a feature film since 1940's Dumbo.
This film took in a total of $145.8 million. It captured nearly $35.3 million at the box office in its opening weekend, making Lilo & Stitch the second highest-grossing Disney animated summer film (the first was "The Lion King," which grossed $40.9 million in its first weekend).
This was the 42th film in the official Disney list of animated films.
Awards
Academy Award Nominee, Best Animated Feature, 2003.
Special Citation for Animation (Feature), Los Angeles Film Critics Association, 2002.
Runner-Up, Best Animation, New York Film Critics Online, 2002
Special Citation for Animation (Feature), Los Angeles Film Critics Association, 2002.
Runner-Up, Best Animation, New York Film Critics Online, 2002
Pictures
Reviews
Lilo & Stitch
This is a good production by Disney, even though it has a couple of drawbacks. The animation and music are brilliant. The scenes in the Hawaiian sea are very impressive and the modern versions of Elvis hits are delightful. The alien creature Stitch is not really a Disney character, even though at the end he is appealing. I enjoyed watching this movie, but I think one time was enough.
Lilo & Stitch
I thought this movie was amazing! I especially loved the surfing scenes. Thay look so realistic. When Stitch and Nani drop in that final wave, we see a close up of Stitch and almost feel like we are there with him. It truly is amazing. The Elvis music is great. Some of the "camera angles" make you forget it is a cartoon. It is also obvious that great care was taken to capture the essence of Hawai'i and the people and culture. Look at the scenery, the roads, Nani's side yard. If you have been to Hawai'i, you know how accurate it is.
Lilo & Stitch
Lilo & Stitch are obviously weirdest twosome since "Dr. Jumb & Pelekai" and once they discover each other the fun is just starting and when the Alien authorities discover that Exp #626 had escaped by stealing a rocket and then crash landing it on earth that's when the fun realy begins.
MUSIC, ANIMATION ARE DISNEY CLASSIC full of the right stuff that make 'LILO & STITCH' A Disney classic.
Lilo & Stitch
Alien civilization, Men in Black, Island Family,Ahloha culture, Beastie become Humanized, Little Girl Love wins.Great Fun and Elvis to.
Lilo & Stitch
If the trailer is anything to go by, this movie will be positively hilarious. Has anyine seen the part with the record player?? I almost killed myself laughing!! It was so great!!



