Ghostnappers

Ghostnappers

October 21, 1986 TV Episode Ghostbusters

Studio
Filmation Associates

Synopsis

Madam Why receives a gift that turns out to be from Prime Evil, who spirits her away as his captive in Hauntquarters. Using her as bait, he captures the Ghostbusters, so it's up to Futura and Jessica to save the day.

Characters

Jake, Eddie, Jessica, Prime Evil, Tracy, Belfry the Bat, Brat-a-Rat, Fib-Face, Futura, Fangster, Haunter, Mysteria, Scared Stiff, Madam Why

Credits

Directing

Director
Tom Sito

Producing

Producer
Lou Scheimer (Executive Producer)

Writing

Writer
Len Riley

Voices

Voice
Pat Fraley (Jake), Peter Cullen (Eddie), Susan Blu (Jessica, Belfry, Futura), Alan Oppenheimer (Prime Evil), Linda Gary (Mysteria), Susan Blu, Erik Gunden, Erika Scheimer

Editing

Editor
Joe Gall, Lida Saskova
Supervising Editor
George Mahana

Crew

Created by
Marc Richards
Adapted for Animation by
Robby London, Barry O'Brien
Production Manager
R.W. Pope
Art Director-Development Unit
John Grusd
Production Design
Rick Maki, Gerald Forton, Tenny Henson, Connie Schurr
Character Design Supervisors
Diane Keener, Herb Hazelton
Assistant Character Design Supervisor
Harry Sabin
Character Design Artists
Bronwen Barry, Enrique May, Keith Baxter, Lewis Ott, Thomas Bird, Chris Peterson, Larry Eikleberry, Rick Quiroz, Dale Hendrickson, Charles Zembillas
Storyboard Supervisors
Bob Arkwright, Egidio V. Dal Chele
Storyboard Artists
Bill Barry, Don Manuel, Cullen Blaine, Hal Mason, Rachel Brenner, David Prince, Ron Campbell, Jim Shull, Yi-Chih Chen, Mike Sosnowski, Humberto de le Fuente, Michael A. Swanigan, Gary B. Goldstein, Karl Toerge, Glen W. Hill, Tom Sito, Victoria Jenson, Tom Tataranowicz, Robert Lamb, Vicenzo Trippetti
Layout Department Supervisor
David A. West
Layout Supervisors
Kurt Anderson, Terry Keil, Craig Armstrong, Warren Marshall, Curtis Cim, Chrystal Klabunde, Tom Shannon, Sheri Weinhart
Layout Artists
Pete Alvarado, Carlos Baeza, Rex Barron, Armando Carrillo, Kathleen Castillo, Hee-Ja Cho, Hyansook Cho, Thomas Coppola, Susan Crossley, Lindsay Dawson, Dave O'Day, Kevin Frank, Sergio Garcia, Drew Gentle, Bob Givens, Edward Haney, Karenia Kaminski, John Koch, William M. Lotz, Istvan Majoros, Linda McCall, Jean Paynter, John Perry, Rocco Pirrone, Sean Platter, Jason So, Maureen Trueblood, Robert Tyler, Cliff Voorhees, Curt Walsted, Martin C. Warner, Mark Westermoe, Jim Willoughby, Pat Wong
Assistant Layout Supervisor
Irma Rosien
Assistant Supervisor
Barbara Benedetto
Assistant Layout Artists
Jennifer Costin, Joe F. Elliott, Ellen Kashan, Patricia Keppler, Susan Semer
Director of Color
Ervin L. Kaplan
Background Design Supervisor
Lorenzo Martinez
Background Supervisor
Don Schweikert
Assistant Background Design Supervisor
Dan St. Pierre
Background Design Artists
Enzo Baldi, Leandro Martinez, Tim Callahan, Armando Notre, Nino Carbe, Jeff Purves, Derek Parks Carter, Michael J. Spooner, Frank Frezzo, Mark B. Wallace, Rene Garcia
Background Artists
Craig Robertson, Thomas O'Loughlin, Donald Watson, Rolando Oliva, Timothy Maloney, Gary Conklin, Ann Guenther, Donald Peters, Robert Stanton, Ruben Chavez, Flamarion Ferreira, Robert Kalafut, Joseph Binggeli, David McBride, Dean Ross Gordon, Larry Grossman, Alan Bodner, Joe Denton, Al Budnick
Key Assistant Coordinators
Dori Littell-Herrick, Randy Sanchez
Animation Checking Supervisor
Bev Randles
Xerography Supervisor
John Remmel
Ink & Paint Supervisor
Flavia Mitman
Mark-up Supervisor
Letha Prince
Head of Special Effects
Shurl Lupin
Head of Final Checking
Howard Schwartz
Cel Service Supervisor
Lou Digerolamo
Scene Planning Supervisor
Mike Hazy
Post-Production Supervisor
Joe Simon
Camera Supervisor
Fred Ziegler
Cameramen
Dean Teves, David Link, Dan C. Larsen, Lindsay Rogers, Veronica Hantke, Robert Jacobs, Ronald Jackson, Jerry Wittington, Steven Damiani, Richard Tylor, Charles Warren, Steven Wilzbach
Music Supervisor
Erika Scheimer
Sound Editors
Don Kenney, Bill Kean, Charlie Rychwalski, Jeff Partch
Music Editors
Sam Horta, Brian Mars, Cecil Broughton
Film Coordinators
June Gilham, Christie Meyer
Educational Advisor
Dr. Gordon L. Berry, Graduate School of Education
Assisted by
A Panel of Educational Advisors
Recording Director
Erika Scheimer
Recording Coordinator
Pamela Vincent
Production Coordinator
Robin Tismeer
Executive Vice President Creative Affairs
Arthur H. Nadel
Vice President in Charge of Production
Joseph A. Mazzuca
Crew
Produced Entirely in the USA

Companies and other credits

  • Layout Supervisors: B.S
  • Sound: Todd-AO/Glen Glenn
  • Educational Advisor: UCLA
  • Copyright ©1986 Filmation Associates/Tribune Broadcasting Co

Production notes

Okay, just to clear up the argument once and for all, these Ghostbusters did come first... sort of.

In 1975, Filmation aired a half hour live-action program on Saturday mornings called The Ghost Busters. The show featured detectives Eddie Spenser and Jake Kong and their ape partner Tracy busting famous spirits from the past. The sitcom was cancelled after one year and left for dead. But, as we all know, there was a little movie from Columbia Pictures in 1984 that made a ton of money, and ghost busting was suddenly hip. Filmation seized the opportunity to resuscitate its own property as an animated series, Ghostbusters (one word, like the movie.) After a brief legal tangle, both this show and Columbia's The Real Ghostbusters went on the air in 1986.

The only thing both shows had in common was the idea of catching loose spirits. Filmation's show teamed Tracy the ape with Spenser and Kong's two grown sons (also named Eddie and Jake), again chasing the ghosts of history and myth. New associates included sassy TV reporter Jessica, sorceress Futura, Belfry the Bat, and a house full of wisecracking skull and bones gadgets (phone, TV, etc.) In fact, much of the Ghostbusters' accessories had lives of their own, from Ghost Buggy to the shape-changing logo.

A red-caped villain named Prime Evil, who actually looked more robotic than ghostly, was the comically menacing bad guy. At the end of every program, Belfry and the skull TV explained the moral of the day's story, a custom of many cartoons of the time.

The duelling Ghostbusters peacefully coexisted for two years before this series was cancelled.