
The Emperor's New Groove
Also known as: Kingdom Of The Sun (Working Title)
- Studio
- Walt Disney Pictures
- Animation studio
- Walt Disney Feature Animation (Burbank)
- Distributor
- Buena Vista Pictures Distribution
Synopsis
In this comedy, the vain and cocky Emperor Kuzco is a very busy man. Besides maintaining his "groove," and firing his suspicious administrator Yzma, he's also planning to build a new water park just for himself for his birthday. However, this means destroying one of the villages in his kingdom.
Meanwhile, Yzma is hatching a plan to get revenge and usurp the throne. But, in a botched assassination courtesy of Yzma's right-hand man Kronk, Kuzco is magically transformed into a llama.
Kuzco finds himself the property of Pacha, a lowly llama herder whose home is ground zero for the water park. Upon discovering the llama's true self, Pacha offers to help resolve the Emperor's problem and regain his throne- only if he promises to move his water park.
Meanwhile, Yzma is hatching a plan to get revenge and usurp the throne. But, in a botched assassination courtesy of Yzma's right-hand man Kronk, Kuzco is magically transformed into a llama.
Kuzco finds himself the property of Pacha, a lowly llama herder whose home is ground zero for the water park. Upon discovering the llama's true self, Pacha offers to help resolve the Emperor's problem and regain his throne- only if he promises to move his water park.
Characters
Emperor Kuzco/Narrator, Pacha, Nina, Yzma, Kronk, Chicha, Chaca, Tipo, Theme Song Guy, Bucky the Squirrel, Waitress, Old Man, Official
Credits
Directing
- Director
- Mark Dindal
Producing
- Producer
- Randy Fullmer
- Executive Producer
- Don Hahn
- Associate Producer
- Patricia Hicks
Writing
- Writer
- David Reynolds
- Story
- Roger Allers, Mark Dindal, Matthew Jacobs, Chris Williams
Voices
- Voice
- David Spade (Emperor Kuzco/Narrator), John Goodman (Pacha), Eartha Kitt (Yzma), Patrick Warburton (Kronk), Wendie Malick (Chicha), Kellyann Kelso (Chaca), Eli Russell Linnetz (Tipo), Tom Jones (Theme Song Guy), Bob Bergen (Bucky the Squirrel), Patti Deutsch (Waitress), John Fiedler (Old Man), Joe Whyte (Official), Stephen J. Anderson, Rodger Bumpass, Robert Clotworthy, Jennifer Darling, Miriam Flynn, Geri Lee Gorowski, Jess Harnell, Sherry Lynn, Danny Mann, Mickie McGowan, D.F. Reynolds, Andre Stojka, Steve Susskind
Music
- Music
- John Debney, David Hartley
- Songs
- Sting
Animation
- Animator
- Pierre Alary, Borja Montoro Cavero, Patrick Delage, Eric Delbecq, Marc Eoche-Duval, Brian Ferguson, Thierry Goulard, James Lopez, Catherine Poulain, JC Tran-Quang-Thieu
- Assistant Production Manager, Animation
- Doeri Welch Greiner
- Assistant Production Manager, Animation, Paris
- Frederika Pepping
- Supervising Animator, Kronk
- Tony Bancroft
- Animators, Kronk
- David Block, Bob Davies, Michael Stocker
- Supervising Animator, Kuzco/Kuzco Llama
- Nik Ranieri
- Animators, Kuzco/Kuzco Llama
- Tim Allen, James Baker, Jerry Yu Ching, Sang-Jin Kim, Jennifer Cardon Klein, Mark Mitchell, Joe Oh, Jamie Oliff, Mark Pudleiner, Marc Smith, Andreas Wessel-Therhorn, Phil Young
- Scene Planners
- Eric Gervais-Despres, Mark Henley
- Artistic Supervisor, Layout
- Jean-Christophe Poulain
- Artistic Supervisor, Clean-Up
- Vera Pacheco
- Supervising Animator, Pacha
- Bruce W. Smith
- Animators, Pacha
- Jared Beckstrand, Tom Gately, David Hancock, Clay Kaytis, Bert Klein, Theresa Wiseman, Anthony Ho Wong
- Supervising Animator, Yzma
- Dale Baer
- Animator, Yzma
- Andreas Deja, Roberto Espanto Domingo, Chad Stewart, Stevan Wahl
- Animator, Nina
- Mike Show
- Lead Animator, Chicha
- Doug Frankel
- Lead Animator, Theme Song Guy/Waitress/Old Man/Official/Maidens
- Sandro Cleuzo
- Assistant Animator
- Dave Mullins
- Visual Effects Animation Supervisors
- Dorse A. Lanpher, David 'Joey' Mildenberger, David Mildenberger
- Animator, Visual Effects
- Sean Applegate, Gordon Baker, Aliza Corson Chameides, Jazno Francoeur, Michael Cadwallader Jones, Dan Lund, Stephen McDermott, Phillip Vigil, Tony West
- Animator, Special Effects
- Colbert Fennelly
- Technical Director, 3D Effects
- Ian J. Coony
- CAPS Supervisor, 2D Animation Processing
- Robyn L. Roberts
- CAPS Supervisor, Animation Check
- Barbara Wiles
- CAPS Supervisor, Scene Planning
- Thomas Baker
- Assistant Production Manager, Clean-Up
- Patricia Feldstein-Reed
- Assistant Production Manager, Clean-Up, Florida
- Ron Betta
- Assistant Production Manager, Clean-Up, Paris
- Etienne Longa
- Assistant Production Manager, Layout
- Monica Lago-Kaytis
- Assistant Production Manager, Layout, Paris
- Michael De La Cruz
Art Department
- Production Design
- Paul A. Felix
- Art Director
- Colin Stimpson
- Character Designer
- Joseph C. Moshier
- Co-Art Director
- Thomas Cardone
- Key Visual Development
- Gay Lawrence, Valerio Ventura
- Artistic Supervisor, Background
- Natalie Franscioni-Karp
- Title Designer
- Susan Bradley
- Background Artist, Journeymen
- Sunny Apinchapong, Justin Brandstater, Miguel Gil, Brad Hicks, Carl Jones, William Lorencz, Jerry Loveland, Kelly McGraw, Gregory C. Miller, Dan Read, Leonard Robleda, Thomas Woodington
- Assistant Background Artists
- Sputnic James Chuang, John Piampiano
- CAPS Supervisor, Color Models
- Karen Comella
- CAPS Supervisor, Paint
- Hortensia M. Casagran
- Assistant Production Manager, Backgrounds
- Suzanne Henderson Holmes
- Assistant Production Manager, Story/Visual Development
- David Biello
Visual Effects
- Assistant Production Manager, Visual Effects
- Kim Gray
- Assistant Production Manager, Visual Effects, Florida
- Stephanie M. Spahn
- Visual Effects Artistic Supervisor
- Mauro Maressa
- Visual Effects
- Virgilio John Aquino, Jay Baker, Chris Darroca, Kristin K. Fong-Lukavsky, Christopher R. Page, Phillip Pignotti, Sean Simon Ramirez, Melinda Wang, Nicole Alene Zamora
- Key Assistant Visual Effects
- Mabel L. Gesner, Angela Anastasia Diamos, Joseph Christopher Pepe Jr, Paitoon Ratanasirintrawoot, Steve Starr, John Tucker
- Assistant Visual Effects
- Sam Recinos, Michael Todd Montgomery, Gary Schumer, Dennis Spicer
- Visual Effects, Data Entry
- Kip Lanai Stone
- Digital Compositor
- Jason Leonard Robert Buske
- Compositor
- Earl Coffman
- Render I/O Technical Lead
- Mark M. Tokunaga
- CAPS Supervisor, Compositing
- James 'JR' Russell
Camera
- Camera Operator, Digital
- David J. Rowe
Editing
- Editor
- Tom Finan, Pamela Ziegenhagen-Shefland
- Assistant Production Manager, Editorial/Recording
- Jenni Magee-Cook
Sound
- Sound Designer
- Tim Chau
- Supervising Sound Editor
- Tim Chau
- Sound Editors
- Albert Gasser, Nils C. Jensen, David Kern, Donald Sylvester
- Scoring Mixer
- Shawn Murphy
- Sound Re-Recording Mixers
- Mel Metcalfe, Terry Porter, Dean A. Zupancic, Kirsten Bulmer
Music Department
- Executive Music Producer
- Chris Montan
- Orchestrator
- Christopher Klatman
- Music Programmer
- Nick Vidar
Casting
- Casting
- Matthew Jon Beck, Mary Hidalgo, Ruth Lambert
Production Management
- Production Manager
- Tod C. Marsden
- Assistant Production Manager, Sweatbox
- Diana Blazer
- Artistic Coordinators
- David T. Blum, Dan Hansen
- CAPS Supervisor, Technical Coordinator
- Ann Tucker
- Assistant Production Manager, Story/Publicity
- Tracy I. Miller-Zarneke
- Human Resources Coordinator
- Kevin Waldvogel
- Production Accountant
- Liza Breuninger
- Production Assistant
- Derek M.C. Billings, Froydis Boe, Tara Joan Brown, Rudy Cardenas-Rios, Philip M. Cohen, Joshua P. Edwards, Bñrangñre Frñsard, Jefry G. Georgianni, Greg Hill, Christelle Kam, Tim Kwan, Renato Lattanzi, Nicholas Lefebvre, Nathan Massmann, Allyson Mitchell, Charlene Moncrief, Ninka Katarina Mortensen, Leigh Nelson, Aisling O'Gorman, Tim Pauer, Tina M. Pedigo, Melissa K. Schilder, Jason I. Strahs, Sabrina Waterman, Dawn Watson, Suzy Zeffren
Crew
- Artistic Supervisor, Story
- Stephen Anderson
- Software Development
- Michael S. Blum
- Systems Administrator
- Atiq Sajawal
- Systems Engineer
- David Patrick Flynn
- Software Engineers
- Cathy E. Blanco, Matthew F. Schnittker
- Technology Assistant, Software
- Lynne Freels
- CAPS Supervisor, Digital File Services
- James 'JR' Russell
- CAPS Supervisor, Digital Film Print
- Brandy Hill
- CAPS Supervisor, Final Check
- Hortensia M. Casagran
- Technology Crew
- Kevin A. McGuire, Hans Ku, Jeff Nash, James A. Sandweiss, Michael Zarembski
- Technology Supervisor
- Christophe Meslin
- Technology Supporter
- Scott L. Burris, Steve Carpenter, Michael Clay, Marc Fleury, Kevin G.J. Freels, Scott Garrett, Thomas Greer, David Oguri, Michelle 'Buggy' James, Jefferson Crutchfield, Tim David, Mark Dawson
- Technology Supporter, Hardware
- Ray C. Coleman, Jack Muleady, Tom Naylor, David E. Ortega
- Technology Supporter, Network Administration
- Marc Jordan, James Macburney, John Stimson, Sandy Sunseri, Doug White
- Manager, Applications Software Development
- John Henry Brooks
- Manager, Management Applications Development
- Kevin J. Hussey
- Manager, Media Group
- Thomas Moore Jr
- Manager, Systems
- Steven L. Groom
- Manager, Systems Software Development
- Graham S. Allan
- Manager, Systems Support
- Jeff Rochlin
- Lead Technical Administrator
- Nasser B. Salomon
- Additional Production Supporter
- Steve Buddie, Maureen Mo O'Hare Davis, Craig A. Sost
- Special Thanks
- Ian Truitner
Production notes
First shown in limited release; nationwide release was on December 15, 2000.
The Emperor's New Groove has one of the more troubled production histories of any Disney animated feature. In its over six years of development and production, the story went from its original concept as a more traditional Disney musical entitled Kingdom in the Sun to an adaption of the Hans Christian Andersen, to whatever the final product Dindal turned it into is.
When he wrapped up on The Lion King in 1994, Roger Allers immediately started work on this project, then titled Kingdom of the Sun. Also on board was supervising animator Andreas Deja, famous for his flamboyant villains, and producer Randy Fullmer. In a bit of an animation coup, they brought in Sting to do the music on the project.
The story was very similar to the The Prince and the Pauper with a greedy, selfish emperor (voiced by David Spade) who finds a peasant (voiced by Owen Wilson) who looks just like him, and the two switch places. Deja's Yzma catches wind of the switch and turns the real emperor into a llama and threatens to reveal the pauper's identity unless he becomes her slave. The emperor-llama learns humility in his new form, and even comes to love a girl llama-herder. Together, the girl and the llama set out to undo the witch's plans. From there we would proceed to a standard happy Disney-style ending.
Seeing a story too similar to many other existing The Prince and the Pauper stories (including at least one from Disney itself!), and seeing Allers as essentially lifeless, the studio brought in Disney effects editor and Warner Bros.'s Cats Don't Dance director Mark Dindal. The hopes were that Dindal could add some music, some comedy and bring the story to life. What happened was the project was split in two- Allers' sweeping epic version and Dindals' singing and dancing version.
At the beginning of 1999, production had still not started, and this put the July 2000 release date in jeopardy. With deals already in place, the release date was set in stone. Under pressure to perform or quit, Allers left the film. Producer Dindal, Fullmer, halted production for six months to retool the project and, with writers Chris Williams and David Reynolds, overhauled the film completely.
When the four reviled their new film, everything had changed. It was now titled The Emperor's New Groove, and was now a buddy film. Gone were the sun-capturing plot, the look-alike peasant, and the llama-herder love interest, and animator Andreas Deja, who moved to Florida to work on Lilo & Stitch. And the Sting music...
Ultimately, the budget blossomed to over 100 million dollars. In its theatrical release, the film brought in about 170 million gross.
Soundtrack:
This was the 40th film in the official Disney list of animated films.
The Emperor's New Groove has one of the more troubled production histories of any Disney animated feature. In its over six years of development and production, the story went from its original concept as a more traditional Disney musical entitled Kingdom in the Sun to an adaption of the Hans Christian Andersen, to whatever the final product Dindal turned it into is.
When he wrapped up on The Lion King in 1994, Roger Allers immediately started work on this project, then titled Kingdom of the Sun. Also on board was supervising animator Andreas Deja, famous for his flamboyant villains, and producer Randy Fullmer. In a bit of an animation coup, they brought in Sting to do the music on the project.
The story was very similar to the The Prince and the Pauper with a greedy, selfish emperor (voiced by David Spade) who finds a peasant (voiced by Owen Wilson) who looks just like him, and the two switch places. Deja's Yzma catches wind of the switch and turns the real emperor into a llama and threatens to reveal the pauper's identity unless he becomes her slave. The emperor-llama learns humility in his new form, and even comes to love a girl llama-herder. Together, the girl and the llama set out to undo the witch's plans. From there we would proceed to a standard happy Disney-style ending.
Seeing a story too similar to many other existing The Prince and the Pauper stories (including at least one from Disney itself!), and seeing Allers as essentially lifeless, the studio brought in Disney effects editor and Warner Bros.'s Cats Don't Dance director Mark Dindal. The hopes were that Dindal could add some music, some comedy and bring the story to life. What happened was the project was split in two- Allers' sweeping epic version and Dindals' singing and dancing version.
At the beginning of 1999, production had still not started, and this put the July 2000 release date in jeopardy. With deals already in place, the release date was set in stone. Under pressure to perform or quit, Allers left the film. Producer Dindal, Fullmer, halted production for six months to retool the project and, with writers Chris Williams and David Reynolds, overhauled the film completely.
When the four reviled their new film, everything had changed. It was now titled The Emperor's New Groove, and was now a buddy film. Gone were the sun-capturing plot, the look-alike peasant, and the llama-herder love interest, and animator Andreas Deja, who moved to Florida to work on Lilo & Stitch. And the Sting music...
Ultimately, the budget blossomed to over 100 million dollars. In its theatrical release, the film brought in about 170 million gross.
Soundtrack:
- "Perfect World"/"Perfect World Reprise," Performed by Tom Jones, Produced by Sting and David Hartley, Arranged, Orchestrated and Conducted by David Hartley, Recorded and Mixed by Frank Wolf;
- "My Funny Friend and Me," Performed by Sting, Produced and Arranged by Jimmy Jam and Terry Lewis for Flyle Tyme Productions, Inc., Co-Produced by "Big Jim" Wright for Flyle Tyme Productions, Inc., Recorded by Dave Rideau and Steve Hodge, Mixed by Steve Hodge.
This was the 40th film in the official Disney list of animated films.
Awards
Academy Award Nominee, Best Music, Original Song, "My Funny Friend And Me" (Music: Sting, David Hartley.
Lyrics: Sting), 2001.
Golden Globe Award Nominee, Best Original Song, "My Funny Friend And Me" (Music: Sting, David Hartley.
Lyrics: Sting), 2001.
Annie, Outstanding Individual Achievement for Character Animation, Dale Baer, 2001.
Annie, Outstanding Individual Achievement for Voice Acting by a Female Performer in an Animated Feature Production, Eartha Kitt, As the Voice of "Yzma," 2001.
Annie, Outstanding Individual Achievement for a Song in an Animated Production, David Hartley and Sting, For the Song "Perfect World," 2001.
Nominee, Annie, Outstanding Achievement in an Animated Theatrical Feature, 2001.
Nominee, Annie, Outstanding Individual Achievement for Directing in an Animated Feature Production, Mark Dindal, 2001.
Nominee, Annie, Outstanding Individual Achievement for Music Score in an Animated Feature Production, John Debney, 2001.
Nominee, Annie, Outstanding Individual Achievement for Production Design in an Animated Feature Production, Colin Stimpson, 2001.
Nominee, Annie, Outstanding Individual Achievement for Storyboarding in an Animated Feature Production, Stephen J. Anderson, 2001.
Nominee, Annie, Outstanding Individual Achievement for Storyboarding in an Animated Feature Production, Don Hall, 2001.
Nominee, Annie, Outstanding Individual Achievement for Voice Acting by a Male Performer in an Animated Feature Production, Patrick Warburton, As the Voice of "Kronk," 2001.
Nominee, Annie, Outstanding Individual Achievement for Writing in an Animated Feature Production, Mark Dindal and Chris Williams, 2001.
Nominee, Black Reel, Theatrical -- Best Supporting Actress, Eartha Kitt, 2001.
Nominee, Blockbuster Entertainment Award, Favorite Family Film, 2001.
Bogey Award, Germany, 2001.
Broadcast Film Critics Association Award, Best Song, Sting (Composer/Lyricist) and David Hartley (Composer), For the Song "My Funny Friend and Me," 2001.
Artios, Best Casting for Animated Voiceover -- Feature Film, Ruth Lambert, 2001.
Nominee, Golden Trailer, Best Animation/Family, 2001.
Nominee, Grammy, Best Song Written for a Motion Picture, Television or Other Visual Media, David Hartley and Sting, For the Song "My Funny Friend And Me," 2002.
Nominee, Blimp Award, Favorite Voice from an Animated Movie, David Spade, Kids' Choice Awards, 2001.
Nominee, Sierra Award, Best Family Film, Las Vegas Film Critics Society Awards, 2000.
Nominee, Sierra Award, Best Song, Sting, For the Song "My Funny Friend And Me," Las Vegas Film Critics Society Awards, 2000.
Nominee, Golden Reel Award, Best Sound Editing -- Animated Feature, Tim Chau (Supervising Sound Editor), Thomas Whiting (Supervising ADR Editor), Nils C. Jensen (Sound Editor), David Kern (Sound Editor), Albert Gasser (Sound Editor) and Donald Sylvester (Sound Editor), 2001.
Nominee, Golden Reel Award, Best Sound Editing -- Music -- Animation, Paul Silver (Music Editor), 2001.
Nominee, Golden Satellite Award, Best Motion Picture, Animated or Mixed Media, 2001.
Nominee, Golden Satellite Award, Best Original Song, Sting (Composer/Lyricist) and David Hartley (Composer), For the Song "My Funny Friend And Me," 2001.
Nominee, Young Artist Award, Best Family Feature Film -- Animation, 2001
Lyrics: Sting), 2001.
Golden Globe Award Nominee, Best Original Song, "My Funny Friend And Me" (Music: Sting, David Hartley.
Lyrics: Sting), 2001.
Annie, Outstanding Individual Achievement for Character Animation, Dale Baer, 2001.
Annie, Outstanding Individual Achievement for Voice Acting by a Female Performer in an Animated Feature Production, Eartha Kitt, As the Voice of "Yzma," 2001.
Annie, Outstanding Individual Achievement for a Song in an Animated Production, David Hartley and Sting, For the Song "Perfect World," 2001.
Nominee, Annie, Outstanding Achievement in an Animated Theatrical Feature, 2001.
Nominee, Annie, Outstanding Individual Achievement for Directing in an Animated Feature Production, Mark Dindal, 2001.
Nominee, Annie, Outstanding Individual Achievement for Music Score in an Animated Feature Production, John Debney, 2001.
Nominee, Annie, Outstanding Individual Achievement for Production Design in an Animated Feature Production, Colin Stimpson, 2001.
Nominee, Annie, Outstanding Individual Achievement for Storyboarding in an Animated Feature Production, Stephen J. Anderson, 2001.
Nominee, Annie, Outstanding Individual Achievement for Storyboarding in an Animated Feature Production, Don Hall, 2001.
Nominee, Annie, Outstanding Individual Achievement for Voice Acting by a Male Performer in an Animated Feature Production, Patrick Warburton, As the Voice of "Kronk," 2001.
Nominee, Annie, Outstanding Individual Achievement for Writing in an Animated Feature Production, Mark Dindal and Chris Williams, 2001.
Nominee, Black Reel, Theatrical -- Best Supporting Actress, Eartha Kitt, 2001.
Nominee, Blockbuster Entertainment Award, Favorite Family Film, 2001.
Bogey Award, Germany, 2001.
Broadcast Film Critics Association Award, Best Song, Sting (Composer/Lyricist) and David Hartley (Composer), For the Song "My Funny Friend and Me," 2001.
Artios, Best Casting for Animated Voiceover -- Feature Film, Ruth Lambert, 2001.
Nominee, Golden Trailer, Best Animation/Family, 2001.
Nominee, Grammy, Best Song Written for a Motion Picture, Television or Other Visual Media, David Hartley and Sting, For the Song "My Funny Friend And Me," 2002.
Nominee, Blimp Award, Favorite Voice from an Animated Movie, David Spade, Kids' Choice Awards, 2001.
Nominee, Sierra Award, Best Family Film, Las Vegas Film Critics Society Awards, 2000.
Nominee, Sierra Award, Best Song, Sting, For the Song "My Funny Friend And Me," Las Vegas Film Critics Society Awards, 2000.
Nominee, Golden Reel Award, Best Sound Editing -- Animated Feature, Tim Chau (Supervising Sound Editor), Thomas Whiting (Supervising ADR Editor), Nils C. Jensen (Sound Editor), David Kern (Sound Editor), Albert Gasser (Sound Editor) and Donald Sylvester (Sound Editor), 2001.
Nominee, Golden Reel Award, Best Sound Editing -- Music -- Animation, Paul Silver (Music Editor), 2001.
Nominee, Golden Satellite Award, Best Motion Picture, Animated or Mixed Media, 2001.
Nominee, Golden Satellite Award, Best Original Song, Sting (Composer/Lyricist) and David Hartley (Composer), For the Song "My Funny Friend And Me," 2001.
Nominee, Young Artist Award, Best Family Feature Film -- Animation, 2001
Pictures
Reviews
The Emperor's New Groove
Hola Amigos!
I was happily surprised when this film first came out back to early 2001 here in Peru. It was very nice that Disney focused on the Inca's Lost world of course there were some mistakes like mixing different patterns of different cultures and history lines but it was very funny any way.
"Cuzco" in quechua (the ancient language of the incas) means "Navel of the World" something I consider quite appropiate for our little friend.
"Pacha" means soil, ground or land. This character was certainly down to the ground!
The evil lady remains me too much of Cruela Devil and Malefica from "Sleeping Beauty".
I like my country to be portrayed nicelly and funny if after watching this movie you ever plan to come down here to Peru and visit the actual Macchu Picchu citadel and our large Pre Inca and Inca History I'll feel very glad to help you with your visit since I work for the Tourist Information Bureau here in Lima and I like to have friends from all over the world in order to improve the image of my country and my peop`le.
Best Regards
Cesar Dominguez
A Peruvian Young Man of Honor
Lima, Peru
The Emperor's New Groove
This is the most hillariousmovie i've ever seen,I've been watching it about 10 or more times!(and I'll watch it again)I simply love it!!
The Emperor's New Groove
This is the FUNNIEST cartoon. As well it doesn't have the annoying singing found in most Disney cartoons (which they do appear to be shining away from, happy times). As well the characters are hilarious. The best for pure hilariousness. "Um, I've been turned into a cow. Can I go home?"
The Emperor's New Groove
Not as strong a message movie as we've seen from Disney (Thank God), this one is just plain fun to watch from beginning to end. It has become one of my favorite movies, and I think that low rating is totally bogus.
The Emperor's New Groove
Extermely funny and fresh humour. One of the best Disney movies, I don't know why t has that low rating. I can't help watching it...
The Emperor's New Groove
one of the best movies by disney, very funny and interesting, all my family watched it with pleasure.
The Emperor's New Groove
This is an extremely fun movie to watch. I enjoyed it thoroughly. It was something new and fresh from Disney. Lots of silly humor that an adult can enjoy just as much as any child. I would recomend this movie to anyone.






