The Emperor's New Groove

The Emperor's New Groove

December 15, 2000 Theatrical Feature Films

Also known as: Kingdom Of The Sun (Working Title)

Studio
Walt Disney Pictures
Animation studio
Walt Disney Feature Animation (Burbank)
Distributor
Buena Vista Pictures Distribution

Synopsis

In this comedy, the vain and cocky Emperor Kuzco is a very busy man. Besides maintaining his "groove," and firing his suspicious administrator Yzma, he's also planning to build a new water park just for himself for his birthday. However, this means destroying one of the villages in his kingdom.

Meanwhile, Yzma is hatching a plan to get revenge and usurp the throne. But, in a botched assassination courtesy of Yzma's right-hand man Kronk, Kuzco is magically transformed into a llama.

Kuzco finds himself the property of Pacha, a lowly llama herder whose home is ground zero for the water park. Upon discovering the llama's true self, Pacha offers to help resolve the Emperor's problem and regain his throne- only if he promises to move his water park.

Characters

Emperor Kuzco/Narrator, Pacha, Nina, Yzma, Kronk, Chicha, Chaca, Tipo, Theme Song Guy, Bucky the Squirrel, Waitress, Old Man, Official

Credits

Directing

Director
Mark Dindal

Producing

Producer
Randy Fullmer
Executive Producer
Don Hahn
Associate Producer
Patricia Hicks

Music

Music
John Debney, David Hartley
Songs
Sting

Animation

Animator
Pierre Alary, Borja Montoro Cavero, Patrick Delage, Eric Delbecq, Marc Eoche-Duval, Brian Ferguson, Thierry Goulard, James Lopez, Catherine Poulain, JC Tran-Quang-Thieu
Assistant Production Manager, Animation
Doeri Welch Greiner
Assistant Production Manager, Animation, Paris
Frederika Pepping
Supervising Animator, Kronk
Tony Bancroft
Animators, Kronk
David Block, Bob Davies, Michael Stocker
Supervising Animator, Kuzco/Kuzco Llama
Nik Ranieri
Animators, Kuzco/Kuzco Llama
Tim Allen, James Baker, Jerry Yu Ching, Sang-Jin Kim, Jennifer Cardon Klein, Mark Mitchell, Joe Oh, Jamie Oliff, Mark Pudleiner, Marc Smith, Andreas Wessel-Therhorn, Phil Young
Scene Planners
Eric Gervais-Despres, Mark Henley
Artistic Supervisor, Layout
Jean-Christophe Poulain
Artistic Supervisor, Clean-Up
Vera Pacheco
Supervising Animator, Pacha
Bruce W. Smith
Animators, Pacha
Jared Beckstrand, Tom Gately, David Hancock, Clay Kaytis, Bert Klein, Theresa Wiseman, Anthony Ho Wong
Supervising Animator, Yzma
Dale Baer
Animator, Yzma
Andreas Deja, Roberto Espanto Domingo, Chad Stewart, Stevan Wahl
Animator, Nina
Mike Show
Lead Animator, Chicha
Doug Frankel
Lead Animator, Theme Song Guy/Waitress/Old Man/Official/Maidens
Sandro Cleuzo
Assistant Animator
Dave Mullins
Visual Effects Animation Supervisors
Dorse A. Lanpher, David 'Joey' Mildenberger, David Mildenberger
Animator, Visual Effects
Sean Applegate, Gordon Baker, Aliza Corson Chameides, Jazno Francoeur, Michael Cadwallader Jones, Dan Lund, Stephen McDermott, Phillip Vigil, Tony West
Animator, Special Effects
Colbert Fennelly
Technical Director, 3D Effects
Ian J. Coony
CAPS Supervisor, 2D Animation Processing
Robyn L. Roberts
CAPS Supervisor, Animation Check
Barbara Wiles
CAPS Supervisor, Scene Planning
Thomas Baker
Assistant Production Manager, Clean-Up
Patricia Feldstein-Reed
Assistant Production Manager, Clean-Up, Florida
Ron Betta
Assistant Production Manager, Clean-Up, Paris
Etienne Longa
Assistant Production Manager, Layout
Monica Lago-Kaytis
Assistant Production Manager, Layout, Paris
Michael De La Cruz

Art Department

Production Design
Paul A. Felix
Art Director
Colin Stimpson
Character Designer
Joseph C. Moshier
Co-Art Director
Thomas Cardone
Key Visual Development
Gay Lawrence, Valerio Ventura
Artistic Supervisor, Background
Natalie Franscioni-Karp
Title Designer
Susan Bradley
Background Artist, Journeymen
Sunny Apinchapong, Justin Brandstater, Miguel Gil, Brad Hicks, Carl Jones, William Lorencz, Jerry Loveland, Kelly McGraw, Gregory C. Miller, Dan Read, Leonard Robleda, Thomas Woodington
Assistant Background Artists
Sputnic James Chuang, John Piampiano
CAPS Supervisor, Color Models
Karen Comella
CAPS Supervisor, Paint
Hortensia M. Casagran
Assistant Production Manager, Backgrounds
Suzanne Henderson Holmes
Assistant Production Manager, Story/Visual Development
David Biello

Visual Effects

Assistant Production Manager, Visual Effects
Kim Gray
Assistant Production Manager, Visual Effects, Florida
Stephanie M. Spahn
Visual Effects Artistic Supervisor
Mauro Maressa
Visual Effects
Virgilio John Aquino, Jay Baker, Chris Darroca, Kristin K. Fong-Lukavsky, Christopher R. Page, Phillip Pignotti, Sean Simon Ramirez, Melinda Wang, Nicole Alene Zamora
Key Assistant Visual Effects
Mabel L. Gesner, Angela Anastasia Diamos, Joseph Christopher Pepe Jr, Paitoon Ratanasirintrawoot, Steve Starr, John Tucker
Assistant Visual Effects
Sam Recinos, Michael Todd Montgomery, Gary Schumer, Dennis Spicer
Visual Effects, Data Entry
Kip Lanai Stone
Digital Compositor
Jason Leonard Robert Buske
Compositor
Earl Coffman
Render I/O Technical Lead
Mark M. Tokunaga
CAPS Supervisor, Compositing
James 'JR' Russell

Camera

Camera Operator, Digital
David J. Rowe

Editing

Editor
Tom Finan, Pamela Ziegenhagen-Shefland
Assistant Production Manager, Editorial/Recording
Jenni Magee-Cook

Sound

Sound Designer
Tim Chau
Supervising Sound Editor
Tim Chau
Sound Editors
Albert Gasser, Nils C. Jensen, David Kern, Donald Sylvester
Scoring Mixer
Shawn Murphy
Sound Re-Recording Mixers
Mel Metcalfe, Terry Porter, Dean A. Zupancic, Kirsten Bulmer

Music Department

Executive Music Producer
Chris Montan
Orchestrator
Christopher Klatman
Music Programmer
Nick Vidar

Crew

Artistic Supervisor, Story
Stephen Anderson
Software Development
Michael S. Blum
Systems Administrator
Atiq Sajawal
Systems Engineer
David Patrick Flynn
Software Engineers
Cathy E. Blanco, Matthew F. Schnittker
Technology Assistant, Software
Lynne Freels
CAPS Supervisor, Digital File Services
James 'JR' Russell
CAPS Supervisor, Digital Film Print
Brandy Hill
CAPS Supervisor, Final Check
Hortensia M. Casagran
Technology Crew
Kevin A. McGuire, Hans Ku, Jeff Nash, James A. Sandweiss, Michael Zarembski
Technology Supervisor
Christophe Meslin
Technology Supporter
Scott L. Burris, Steve Carpenter, Michael Clay, Marc Fleury, Kevin G.J. Freels, Scott Garrett, Thomas Greer, David Oguri, Michelle 'Buggy' James, Jefferson Crutchfield, Tim David, Mark Dawson
Technology Supporter, Hardware
Ray C. Coleman, Jack Muleady, Tom Naylor, David E. Ortega
Technology Supporter, Network Administration
Marc Jordan, James Macburney, John Stimson, Sandy Sunseri, Doug White
Manager, Applications Software Development
John Henry Brooks
Manager, Management Applications Development
Kevin J. Hussey
Manager, Media Group
Thomas Moore Jr
Manager, Systems
Steven L. Groom
Manager, Systems Software Development
Graham S. Allan
Manager, Systems Support
Jeff Rochlin
Lead Technical Administrator
Nasser B. Salomon
Additional Production Supporter
Steve Buddie, Maureen Mo O'Hare Davis, Craig A. Sost
Special Thanks
Ian Truitner

Production notes

First shown in limited release; nationwide release was on December 15, 2000.

The Emperor's New Groove has one of the more troubled production histories of any Disney animated feature. In its over six years of development and production, the story went from its original concept as a more traditional Disney musical entitled Kingdom in the Sun to an adaption of the Hans Christian Andersen, to whatever the final product Dindal turned it into is.

When he wrapped up on The Lion King in 1994, Roger Allers immediately started work on this project, then titled Kingdom of the Sun. Also on board was supervising animator Andreas Deja, famous for his flamboyant villains, and producer Randy Fullmer. In a bit of an animation coup, they brought in Sting to do the music on the project.

The story was very similar to the The Prince and the Pauper with a greedy, selfish emperor (voiced by David Spade) who finds a peasant (voiced by Owen Wilson) who looks just like him, and the two switch places. Deja's Yzma catches wind of the switch and turns the real emperor into a llama and threatens to reveal the pauper's identity unless he becomes her slave. The emperor-llama learns humility in his new form, and even comes to love a girl llama-herder. Together, the girl and the llama set out to undo the witch's plans. From there we would proceed to a standard happy Disney-style ending.

Seeing a story too similar to many other existing The Prince and the Pauper stories (including at least one from Disney itself!), and seeing Allers as essentially lifeless, the studio brought in Disney effects editor and Warner Bros.'s Cats Don't Dance director Mark Dindal. The hopes were that Dindal could add some music, some comedy and bring the story to life. What happened was the project was split in two- Allers' sweeping epic version and Dindals' singing and dancing version.

At the beginning of 1999, production had still not started, and this put the July 2000 release date in jeopardy. With deals already in place, the release date was set in stone. Under pressure to perform or quit, Allers left the film. Producer Dindal, Fullmer, halted production for six months to retool the project and, with writers Chris Williams and David Reynolds, overhauled the film completely.

When the four reviled their new film, everything had changed. It was now titled The Emperor's New Groove, and was now a buddy film. Gone were the sun-capturing plot, the look-alike peasant, and the llama-herder love interest, and animator Andreas Deja, who moved to Florida to work on Lilo & Stitch. And the Sting music...

Ultimately, the budget blossomed to over 100 million dollars. In its theatrical release, the film brought in about 170 million gross.

Soundtrack:
  • "Perfect World"/"Perfect World Reprise," Performed by Tom Jones, Produced by Sting and David Hartley, Arranged, Orchestrated and Conducted by David Hartley, Recorded and Mixed by Frank Wolf;
  • "My Funny Friend and Me," Performed by Sting, Produced and Arranged by Jimmy Jam and Terry Lewis for Flyle Tyme Productions, Inc., Co-Produced by "Big Jim" Wright for Flyle Tyme Productions, Inc., Recorded by Dave Rideau and Steve Hodge, Mixed by Steve Hodge.


This was the 40th film in the official Disney list of animated films.

Awards

Academy Award Nominee, Best Music, Original Song, "My Funny Friend And Me" (Music: Sting, David Hartley.
Lyrics: Sting), 2001.
Golden Globe Award Nominee, Best Original Song, "My Funny Friend And Me" (Music: Sting, David Hartley.
Lyrics: Sting), 2001.
Annie, Outstanding Individual Achievement for Character Animation, Dale Baer, 2001.
Annie, Outstanding Individual Achievement for Voice Acting by a Female Performer in an Animated Feature Production, Eartha Kitt, As the Voice of "Yzma," 2001.
Annie, Outstanding Individual Achievement for a Song in an Animated Production, David Hartley and Sting, For the Song "Perfect World," 2001.
Nominee, Annie, Outstanding Achievement in an Animated Theatrical Feature, 2001.
Nominee, Annie, Outstanding Individual Achievement for Directing in an Animated Feature Production, Mark Dindal, 2001.
Nominee, Annie, Outstanding Individual Achievement for Music Score in an Animated Feature Production, John Debney, 2001.
Nominee, Annie, Outstanding Individual Achievement for Production Design in an Animated Feature Production, Colin Stimpson, 2001.
Nominee, Annie, Outstanding Individual Achievement for Storyboarding in an Animated Feature Production, Stephen J. Anderson, 2001.
Nominee, Annie, Outstanding Individual Achievement for Storyboarding in an Animated Feature Production, Don Hall, 2001.
Nominee, Annie, Outstanding Individual Achievement for Voice Acting by a Male Performer in an Animated Feature Production, Patrick Warburton, As the Voice of "Kronk," 2001.
Nominee, Annie, Outstanding Individual Achievement for Writing in an Animated Feature Production, Mark Dindal and Chris Williams, 2001.
Nominee, Black Reel, Theatrical -- Best Supporting Actress, Eartha Kitt, 2001.
Nominee, Blockbuster Entertainment Award, Favorite Family Film, 2001.
Bogey Award, Germany, 2001.
Broadcast Film Critics Association Award, Best Song, Sting (Composer/Lyricist) and David Hartley (Composer), For the Song "My Funny Friend and Me," 2001.
Artios, Best Casting for Animated Voiceover -- Feature Film, Ruth Lambert, 2001.
Nominee, Golden Trailer, Best Animation/Family, 2001.
Nominee, Grammy, Best Song Written for a Motion Picture, Television or Other Visual Media, David Hartley and Sting, For the Song "My Funny Friend And Me," 2002.
Nominee, Blimp Award, Favorite Voice from an Animated Movie, David Spade, Kids' Choice Awards, 2001.
Nominee, Sierra Award, Best Family Film, Las Vegas Film Critics Society Awards, 2000.
Nominee, Sierra Award, Best Song, Sting, For the Song "My Funny Friend And Me," Las Vegas Film Critics Society Awards, 2000.
Nominee, Golden Reel Award, Best Sound Editing -- Animated Feature, Tim Chau (Supervising Sound Editor), Thomas Whiting (Supervising ADR Editor), Nils C. Jensen (Sound Editor), David Kern (Sound Editor), Albert Gasser (Sound Editor) and Donald Sylvester (Sound Editor), 2001.
Nominee, Golden Reel Award, Best Sound Editing -- Music -- Animation, Paul Silver (Music Editor), 2001.
Nominee, Golden Satellite Award, Best Motion Picture, Animated or Mixed Media, 2001.
Nominee, Golden Satellite Award, Best Original Song, Sting (Composer/Lyricist) and David Hartley (Composer), For the Song "My Funny Friend And Me," 2001.
Nominee, Young Artist Award, Best Family Feature Film -- Animation, 2001

Pictures

Reviews

The Emperor's New Groove

Cesar_DominguezMay 9, 2003

Hola Amigos! I was happily surprised when this film first came out back to early 2001 here in Peru. It was very nice that Disney focused on the Inca's Lost world of course there were some mistakes like mixing different patterns of different cultures and history lines but it was very funny any way. "Cuzco" in quechua (the ancient language of the incas) means "Navel of the World" something I consider quite appropiate for our little friend. "Pacha" means soil, ground or land. This character was certainly down to the ground! The evil lady remains me too much of Cruela Devil and Malefica from "Sleeping Beauty". I like my country to be portrayed nicelly and funny if after watching this movie you ever plan to come down here to Peru and visit the actual Macchu Picchu citadel and our large Pre Inca and Inca History I'll feel very glad to help you with your visit since I work for the Tourist Information Bureau here in Lima and I like to have friends from all over the world in order to improve the image of my country and my peop`le. Best Regards Cesar Dominguez A Peruvian Young Man of Honor Lima, Peru

The Emperor's New Groove

ILaApril 30, 2003

This is the most hillariousmovie i've ever seen,I've been watching it about 10 or more times!(and I'll watch it again)I simply love it!!

The Emperor's New Groove

WSToonOctober 30, 2002

This is the FUNNIEST cartoon. As well it doesn't have the annoying singing found in most Disney cartoons (which they do appear to be shining away from, happy times). As well the characters are hilarious. The best for pure hilariousness. "Um, I've been turned into a cow. Can I go home?"

The Emperor's New Groove

StevenBellAugust 2, 2002

Not as strong a message movie as we've seen from Disney (Thank God), this one is just plain fun to watch from beginning to end. It has become one of my favorite movies, and I think that low rating is totally bogus.

The Emperor's New Groove

AndytoonsJune 24, 2002

Extermely funny and fresh humour. One of the best Disney movies, I don't know why t has that low rating. I can't help watching it...

The Emperor's New Groove

tinklebell_111June 12, 2002

one of the best movies by disney, very funny and interesting, all my family watched it with pleasure.

The Emperor's New Groove

toonwizzDecember 30, 2001

This is an extremely fun movie to watch. I enjoyed it thoroughly. It was something new and fresh from Disney. Lots of silly humor that an adult can enjoy just as much as any child. I would recomend this movie to anyone.