Digimon image

All Aboard

September 9, 2002 TV Episode Digimon

Series titles: Digimon, Digital Monsters

Studio
Tôei Company Ltd.
Distributor
Saban Entertainment Inc. (US)

Synopsis

Everybody in town was getting strange messages on their cell phones. Takuya, being a goggle-head, followed the directions, and this other kid, Koji, and ended up with J.P., Zoe, and Tommy, on a train to the Digital World.

Tommy wanted to go home, but he picked a really stupid way to do it. Takuya tried to rescue him, but things got a little out of control! Bokomon and Neemon were running away from Cerberumon, a Digimon trying to destroy something called a "Spirit". Takuya merged with the Ancient Spirit of Flame, and turned into Agunimon.

Characters

Takuya Kanbara, Koji Minamoto, Zoe Orimoto, Tommy Himi, J.P. Shibayama, Bokomon, Neemon

Credits

Directing

Director
Yukio Kaizawa

Producing

Producer
Jeff Nimoy

Writing

Writer
Seth Walther

Voices

Voice
Joshua Seth (Tai, Pabumon, Motimon), Colleen O'Shaughnessy (Sora), Michael Reisz (Matt), Philece Sampler (Mimi Tachikawa, Cody Hida), Mona Marshall (Izzy), Doug Berholt (T.K.), Lara Jill Miller (Kari), Tifanie Christun (Yolei, Biyomon, Yokomon), Edie Mirman (Gatomon, Angewomon, Nefertimon), Derek Stephen Prince (DemiDevimon, Veemon, Ken the Digimon Emperor), Brian Donovan (Davis), Michael Lindsay (Joe Kido, Greymon), Laura Summer (Patamon), Neil Kaplan (Hawkmon), Kirk Thornton (Gabumon, MetalGarurumon), Anna Garduno (Palmon), Jeff Nimoy (Tentomon, Kabuterimon), Tom Fahn (Agumon), R. Martin Klein (Gomamon), Dave Mallow (Angemon, Narrrator)

Production notes

This episode marks the beginning of the fourth season.

This Final TV series originally ran for 64 episodes, and was called "Digimon Tamers." It was set in the "near-future" year of 200X.

"Digimon" refers to "digi[tal] mon[sters]."

Three 25-minute mini-features were released theatrically in 2000 as holiday specials in Japan. These were combined for release in the United States as the "Digimon Movie." The Screen Actors Guild in the U.S. launched a legal challenge to production company Saban over residual rights for the movie, arguing that voice acting was a skill that deserved better working conditions.