
Bad Guy Flu
- Studio
- DiC Entertainment, Bob Clampett Productions
- Animation studio
- Wang Films Production
Characters
Beany Boy, Cecil the Sea-Sick Serpent, Captain Horatio Huffenpuff, Dishonest John
Credits
Directing
- Director
- John Kricfalusi
Producing
- Producer
- John Kricfalusi
- Supervising Associate Producer
- John O'Sullivan Francis Jr
- Associate Producer
- Michael Lee Pole
Writing
- Writer
- Rowby Goren
Voices
- Voice
- Mark Laurence Hildreth (Beany), Billy West (Cecil), Jim MacGeorge (Huffenpuff), Maurice LaMarche (Dishonest John), Cree Summer Franks, Laura Harris, Jane Mortifee Birch
Crew
- Story Editors
- Chuck Lorre, Paul Dini
- Creative Consultant
- Bob Clampett Jr
- Executive in Charge of Production
- Richard Raynis
- Vice President Creative Affairs
- Robby London
- Production Coordinator
- Lisa A. Salamone
- Production Assistants
- Herbert Roland, Craig Kelliher, Jose Gonzales, Jennifer Staves, Christopher Hammond, Sean Michael Brennan, Michael Bell, Sky Dayton
- Assistant to Head of Production
- Bonnie Vitti
- Executive in Charge of Production Management
- Winnie Chaffee
- Assisted by
- Dawn Jackson, William Ruiz
- Segment Directors
- Eddie Fitzgerald, Jim Smith, Bruce Timm, William Frake III
- Character Design
- Robert Clampett, John Kricfalusi, Lynne Nalor, Jim Garneau, Eddie Fitzgerald
- Background Design
- Ted Blackman
- Storyboards
- Jim Smith, Byron Vaughns, Bret Haaland, Rich Chidlaw, Bob Camp, Eddie Fitzgerald, Tony Benedict, Bruce Timm, Jim Garneau
- Layout Artists
- Jim Garneau, Garrett Omoto, Michael Kim, Michael Fontanelli, Don Shank, Rich Arons, Lynne Naylor, David Wasson, Becky Caputo, Brian Mitchell, Tom Ellery, Dave Mink, Joey Banaskiewicz, Mark Christiansen, Thom Owens, Ken Boyer, Chris Reccardi, Carlos Baeza, Marc Gordon Bates, Bob Miller, Tom Mazzacco, Eric Stefani, Garrett Ho, Bruce Timm, William Frake III, Jim Smith, Dan Haskett, Ken Mitchroney, Rich Moore
- Color Design
- Libby Simon
- Color Key
- Sarah Jane King
- Color Stylists
- Laura Lee Lizak, Christy Maltese
- Animation Director
- Marc Gordon Bates
- Animation Checker
- Stacy Minkler
- Assistant Checker
- Rod Goodman
- Animation Timers
- Henry Porch, John Freeman, Kent Holaday, Michael Lah, Joe Morrison, Kent Butterworth
- Lip Assignments
- Kent Holaday
- Character Cleanup
- Julienne Zakowski, Donna Zeller
- Script Coordinator
- Lori Crawford
- Original Theme
- Robert Clampett, Sody Clampett
- Music Composed by
- Udi Harpaz
- Additional Songs by
- Udi Harpaz, Jim Mandell
- Voice Director
- Marsha Goodman
- Talent Coordinators
- Josanne B. Lovick, Victor Villegas
- Recording Assistants
- Rick Dempsey, Mark McCorkle, Terry Murray, Debi Wainwright
- Executive in Charge of Post Production
- Thierry P. Laurin
- Assited by
- Kimberly R. Cronin
- Supervising Sound Editor
- Richard Bruce Elliott
- Dialogue Editors
- Richard S. Gannon, Gregory K. Bowron, Michelle R. Rochester, Robert T. Gillis, Elivida Abella
- Format Editors
- Lars Floden, Susan L. Vovsi
- Supervising Music Editor
- Stuart Goetz
- Music Editor
- Joe Thornton
- Sound Effects
- Russell Brower
- Re-Recording Engineer
- Michael Mancini
- Assistant Editors
- Donald P. Zappala, Karen Rosenbloom
- Supervising Sound Engineer
- Michael J. Cowan
- Videotape Editors
- Phil R. Defibaugh, Kim Beresford
- Post Production Coordinators
- Firooz Adelamini, Mark Tracy
Production notes
Only eight episodes were made, and only 5 episodes ever aired...
The reason, according to John K.:
The reason, according to John K.:
"I was trying to explain to the ABC executives exactly the system that we used on Ren & Stimpy, and it was too radical for them. We wanted to do the cartoons the way Bob Clampett did the cartoons, and that was to write outlines and then do a storyboard, which the storyboard artist would flesh out. The Clampetts were willing to go with that, if I remember correctly, because Sody [Clampett] worked on the original Beanie and Cecils with Bob, and she knew that the system works. That's how all the great cartoons are made.
"But I was in the position of having to educate everybody who didn't know anything about the history of animation."
"ABC hired their own story editor, who had no loyalty to us, no loyalty to the Clampetts, no loyalty to the history of animation, didn't like the artists, and proceeded to write the worst scripts in history. We were stuck with them. As a compromise, I said, 'You've got to at least let us draw these funny.'"
"We had no control over anything."
