
What's Opera, Doc?
- Studio
- Warner Bros. Cartoons, Inc.
- Distributor
- Warner Bros.
Synopsis
Bugs and Elmer match forces in an epic tale of Wagnerian proportions.
Characters
Bugs Bunny, Elmer Fudd
Credits
Directing
- Director
- Chuck Jones
Producing
- Producer
- Edward Selzer
Writing
- Writer
- Michael Maltese
Animation
- Animator
- Ken Harris, Richard Thompson, Abe Levitow
Voices
- Voice
- Mel Blanc (Bugs Bunny, Elmer Fudd yelling "Smog"), Arthur Q. Bryan (Elmer Fudd)
Music
- Music
- Richard Wagner
- Arrangements
- Milt Franklyn
- Lyrics, "Return My Love"
- Michael Maltese
Editing
- Editor
- Treg Brown
Crew
- Layouts
- Maurice Noble
- Backgrounds
- Philip De Guard
Production notes
In 1992, What's Opera, Doc? was chosen by the Library of Congress' National Film Preservation Board as one of 25 "culturally, historically or aesthetically significant films" to add to the National Film Registry. It was the first short animated film so honored.
Director Chuck Jones reportedly rushed through some Road Runner cartoons so that he and his crew could put in extra time on this production.
The Bugs Bunny dance sequence was reworked from one taken from Isadore Freleng's 1945 Herr Meets Hare.
This short was the final performances of Elmer Fudd by Arthur Q. Bryan, who died in 1959. Mel Blanc voiced one word for Bryan- "Smog"- as his scream was deemed better than Bryans.
Richard Wagner music includes (in order): Overture ("The Flying Dutchman"), Ride of the Valkyries ("Die Walk?re"), Siegfried's Horn Call ("Ring of The Nibelungs Cycle"), Overture ("Tannh?user"), Bacchanal ("Tannh?user"). "Rienzi" is also incorporated.
Bugs' closing line, as he "comes alive" after appearing to be dead: "Well, what did you expect in an opera, a happy ending?"
Songs: "Merrily We Roll Along" (Charlie Tobias-Murray Mencher-Eddie Cantor), "The Flying Dutchman" (Wagner-arr. Milton J. Franklyn), "Mighty Hunter" (Milton J. Franklyn), "Ride of the Valkyries" (Wagner-arr. Milton J. Franklyn), "Siegfried" (Wagner-arr. Milton J. Franklyn), "The Flying Dutchman" (Wagner-arr. Milton J. Franklyn), "Rienzi" (Wagner-arr. Milton J. Franklyn), "Tannhauser" (Wagner-arr. Milton J. Franklyn), "Return My Love" (Wagner-Mike Maltese), "Ride of the Valkyries" (Wagner-arr. Milton J. Franklyn), "The Flying Dutchman" (Wagner-arr. Milton J. Franklyn), "Tannhauser" (Wagner-arr. Milton J. Franklyn).
Director Chuck Jones reportedly rushed through some Road Runner cartoons so that he and his crew could put in extra time on this production.
The Bugs Bunny dance sequence was reworked from one taken from Isadore Freleng's 1945 Herr Meets Hare.
This short was the final performances of Elmer Fudd by Arthur Q. Bryan, who died in 1959. Mel Blanc voiced one word for Bryan- "Smog"- as his scream was deemed better than Bryans.
Richard Wagner music includes (in order): Overture ("The Flying Dutchman"), Ride of the Valkyries ("Die Walk?re"), Siegfried's Horn Call ("Ring of The Nibelungs Cycle"), Overture ("Tannh?user"), Bacchanal ("Tannh?user"). "Rienzi" is also incorporated.
Bugs' closing line, as he "comes alive" after appearing to be dead: "Well, what did you expect in an opera, a happy ending?"
Songs: "Merrily We Roll Along" (Charlie Tobias-Murray Mencher-Eddie Cantor), "The Flying Dutchman" (Wagner-arr. Milton J. Franklyn), "Mighty Hunter" (Milton J. Franklyn), "Ride of the Valkyries" (Wagner-arr. Milton J. Franklyn), "Siegfried" (Wagner-arr. Milton J. Franklyn), "The Flying Dutchman" (Wagner-arr. Milton J. Franklyn), "Rienzi" (Wagner-arr. Milton J. Franklyn), "Tannhauser" (Wagner-arr. Milton J. Franklyn), "Return My Love" (Wagner-Mike Maltese), "Ride of the Valkyries" (Wagner-arr. Milton J. Franklyn), "The Flying Dutchman" (Wagner-arr. Milton J. Franklyn), "Tannhauser" (Wagner-arr. Milton J. Franklyn).
Pictures
Reviews
Testament of Time
The very fact that this cartoon still stands out in my mind more than fifteen years after seeing it speaks volumes in ittself. A very memorable cartoon worthy of applause!
Brilliant!
I could sing all the lines from this outloud if I wanted too. I love classical music and this one helps prove my theory that Looney Toon cartoons were helpful in teaching children classical music. The ending is hillarious! I love how you want to sob and then Bugs says "well what were you expecting in an opera-a happy ending?" that alone keeps me from sobbing at that scene.
What's Opera, Doc?
Yes this is a famous Warner bros.Cartoon. However the main reason i loved it is because of the music! A wonderful cartoon that every cartoon/clasicial music/Elmer Vs Bugs fan should add to their collection!
What's Opera, Doc?
This is one of the most memorable Cartoons ever. THe Greatest song of any WB toon. The old saying, I learned what I know of Classical music from Bugs Bunny, is especially true here. Ehile it wasn't as funny as others, it was among the very best.
What's Opera, Doc?
AH! Yes! Certainly a masterpiece for Bugs, Elmer, Jones, and eveyone involved. Every inch, every second, every pixal of this cartoon is an exquisite work of art. One thing I find surprising is that Elmer Fudd does a really good job at this opera. One could almost think that Elmer missed his calling. If he hadn't gone into cartoons he could've had a great career in opera. However, there's another thing that surprises a lot of people: THIS CARTOON WASN'T EVEN NOMINATED FOR AN OSCAR!! The reason for that being the producer at the time Eddie Selzer deliberately didn't submit this to the acadamy for curious reasons lost in time. However, this caused a bit of a stir in the animation community. Clearly, everyone thought, this would be Bugs' year for the Oscar. How could this masterpiece be passed over? (Warner Bros. weren't complainig though. They had two cartoons nominated and one of them even won that year. That cartoon being Birds Anonymous). Not only that, but Bugs had been passed over for many many years despite having a quite impressive filmography. Toons like Long-Haired Hare, Rabbit of Seville, The Old Grey Hare, What's Up, Doc?, High Diving Hare, and about 40 others easily deserve the trophy. But, somehow, that didn't happen. Realizing they made a mistake yet again, the acadamy quickly corrected that by giving the Oscar to Knighty Knight Bugs. So, like Charlie Chaplain and Henry Fonda, Bugs finally received an Oscar not just for this work but for his entire career. Although, I think we all know that the Oscar really went to What's Opera, Doc?!
This cartoon picks up where Rabbit of Seville left off. In that cartoon, both Bugs & Elmer merely interrupt a performance of an opera. Here they're starring in it.
Of course, I think the biggest and best joke of this whole cartoon is that Bugs with his thick Brooklyn accent seems somewhat comically out-of-place in this Wagnerian opera. Much the same way people felt about Susan's opera career in Citizen Kane. However, they would not say the same about Elmer. The surprising element of this cartoon is that Elmer actually seems to belong here. His voice (well Arthur Q. Bryan's voice actually) works perfectly with the music almost to the point where on feels that Elmer's true calling was opera. I guess the main reason for this was that A.Q. Bryan himself was a chorus singer at one time so his vocal chords and his diaphragm were highly trained, and it certainly comes through here.
I guess one could call this cartoon Elmer's last hurrah. His career would not be so fine after that.
What's Opera, Doc?
Not funny? NOT FUNNY? How can any of you guys say this in not funny. The site of Bugs in his very best girl outfit galloping down a hill on the fattest horse you've ever seen is side splitting. No it may not have gags but this is deeply funny just in a very different way to most cartoons.
What's Opera, Doc?
I am into classical music of any sort, and I especially love opera. This is a showcase for Wagner music. The general consensus is that this cartoon is not funny. It would be hard to make this cartoon too funny considering the style of music. I find though, that there is indeed quite a bit of humor though.
There is one thing that I find very interesting, and that is after Bugs gets zapped by the lightning, as the camera is zooming in, you see a shot of a flower.
In the opera ("Tannhäuser"), there is a final scene where as Tannhäuser dies, it is announced that the Pope’s staff has sprouted a flower, which signifies that Tannhäuser is forgiven of all his sins.I wonder if the flower scene in the cartoon signifies the same thing??? Warner Bros. Was famous for its inside jokes and hidden meanings.
What's Opera, Doc?
The dramatic sequences of this make me think of Disney's Fantasia (plus a bit of ironic humour thrown in). The Rabbit of Seville, which it is often coupled with, has many more gags and is funnier.
What's Opera, Doc?
This cartoon is definitely my favorite bugs bunny cartoon, and therefore, my favorite cartoon, period. To mix something serious like the opera and something silly like animation in such a hilarious fashion is a feat not often accomplished (the monty python troupe is the only other entity that has succeeded at doing this). Whoever came up with the plot for this episodes, deserves many, many medals - to not find it funny is simply blasphemous.
What's Opera, Doc?
Along with "Duck Dodgers", the most overrated cartoon in the catalogue. While artistically stunning, it's just not that funny. And WB cartoons, as far as I am concerned, were meant to be FUNNY first and a showcase for Chuck Jones' artistic pretensions second.
What's Opera, Doc?
One of the earliest cartoons I saw as a kid some 30-odd years ago. Still make time to sit and watch it if I come across it on TV. If you are on this site, you'll already know this cartoon so It really doesnt need much of a review - other than to say that it's a great piece of work. Great backgrounds, music etc and Bugs is at his best, especially during the 'drag' sequence when Elmer falls for Bugs' female persona. "Oh Bwunehilde, Beeee my wuuuuvvvv"





