
Wacky Deli
- Studio
- Games Animation, Joe Murray Productions Inc.
- Animation studio
- Sunwoo Animation
- Distributor
- Nickelodeon, Viacom
Synopsis
The Bighead's son, Ralph ends his cartoon series, The Fatheads, but the Bigheads suggest he make a new cartoon-about deli meats. Rocko, Heffer and Filburt help him, but its more work than they bargained for.
Characters
Rocko, Heffer Wolfe, Ed Bighead, Bev Bighead, Filburt Shellbache
Credits
Directing
- Director
- Jeff 'Swampy' Marsh
- Assistant Director, Storyboards
- Mark O'Hare, Dan Povenmire
Producing
- Producer
- Joe Murray
- Executive Producer
- Mary Harrington
- Supervising Producer
- Ken Kessel, Michele Jabloner
- Line Producers
- Paul C. Fabela, Krist-Ann Pehrson
Writing
- Writer
- Joe Murray, Martin Olson
- Head Writer
- Tim Hill
- Story Editor
- Joe Murray
- Created By
- Joe Murray
- Additional Writing
- Jeff 'Swampy' Marsh, Mark O'Hare, Dan Povenmire
- Script Coordinator
- Suzanne Benton
Voices
- Voice
- Carlos Alazraqui (Rocko), Tom Kenny (Heffer Wolfe), Mr. Lawrence (Filburt Shellbache), Charlie Adler (Ed Bighead, Bev Bighead)
Music
- Music
- Pat Irwin
Animation
- Animation Direction
- Howy Parkins
- Animation Timers
- Tom Yasumi, John McIntyre, Gary McCarver
- Overseas Layout Supervisor
- Carl Linton
- Lip Sync
- Kent Holaday
- Main Title Animation
- Joe Murray, Timothy Berglund
- Main Title Assistant Animation
- Shawn Murday
Art Department
- Main Character Design
- Joe Murray
- Character and Prop Design
- Chris Savino
- Background Design
- Antoine Guilbaud, Robert Porter
- Background Supervisor
- Nick Jennings
- Color Key Supervisor
- Artin Aghamalian
- Background Painters
- Timothy Barnes, Adriana Galvez, Nick Jennings
- Color Key Artist
- Artin Aghamalian
- Painter
- John Bermudas
- Assistant Storyboard
- Derek Drymon, Shawn Murday, Karen Hanson, Bert Ring
Editing
- Editor
- Brad Carow
- Videotape Editor
- Karen Snyder
- Negative Cutter
- Bob Lass
Sound
- Sound Editors
- Jeniger Mertens, Kenneth Young
- Production Sound
- Brad Brock
- Sound Supervisor and Music Editor
- William B. Griggs
- Sound EFX Editor
- Jeff Hutchins
- Rerecording Mixers
- Daniel Hiland, Joseph Citarella
- Recordist
- Gary Maiman
- Track Reading
- Glenwood Editorial
Music Department
- Main Title Music
- Sarah Frost-Goetz
- Theme Song Vocals
- Kate Pierson, Fred Schneider
Production Management
- Production Coordinators
- Kimberli Karnatz, Jim Leber, Kimberli Karnatz, Jim Leber
- Technical Coordinator
- Tony Ostyn, Tony Ostyn
- Post Production Producer
- Richard LeRoy
- Production Assistants
- Nicola Gayle, Matt Hary, Jenetta Kelley, John Magnus
Crew
- Creative Director
- Stephen Hillenburg
- Staff Writers
- George Maestri, Joe Murray, Martin Olson
- Design Assistant
- Doug Ninneman
- Technical Support
- George Maestri
- Title Rearranged
- Pat Irwin
- Overseas Supervising Director
- Scott Mansz
- Crew
- For Horta Editoral, For Warner Brothers Sound, For Varitel, FOR NICKELODEON, NICKELODEON
- Support
- Daniel Gillett, Wendy Baker, Dave Webb, Todd Bochner, Jeff Schulman
- Telecine
- Brian Linse
- Chyron
- Bill Steinbarth
- Financial Controllers
- Dianne Leedy, Robert Cseko
- Production Consultant
- Bennett McClellan
Companies and other credits
- Overseas Animation Facility: Sunwoo Animation
- Track Reading: Inc
- Joe Murray Productions
- Games Animation Inc
- © 1995 Viacom
Production notes
Nickelodeon added to its stable of oddball cartoons with Rocko's Modern Life, the story of an amiable Australian wallaby trying to fit in with suburbian America. Created by animator Joe Murray, the show was like a kinder, slightly less insane version of Ren & Stimpy, another Nick hit.
Settling in small-town O-Town with his stupid, hyperactive dog Spunky, Rocko did his best to make sense of America. He took a job at Kind-Of-A-Lot-Of-Comics, settled into a home, and befriended neighbors Heffer Wolfe (a hungry cow) and Fliburt (a nerdy turtle). Heffer was the only steer in a family of wolves, although he never caught on that he was adopted until Rocko tipped him off. Heffer told his wallaby-hating grandfather, Willie, that Rocko was a coyote, although Willie thought he was actually a beaver, which he equally despised. Filburt appeared in a variety of roles before becoming a regular friend of Rocko's. The turtle dated and ultimately married a multi-talented cat named Dr. Hutchinson, who appeared as a surgeon and a pharmacist, among other medical-related positions.
With his new friends, Rocko set about discovering the joys of a modern American lifestyle—health clubs, garbage day, discount airlines, etc. Many of the episodes were based around a single, simple premise, like going grocery shopping, attending traffic school, or getting fired. Regardless of the situation's simplicity, something would always go drastically wrong and chaos would ensue, setting Rocko up for one crazy, bizarre adventure after another.
Rocko's next-door neighbor was the unpleasant Mr. Bighead, who worked at mega-corporation Conglom-O (slogan: "We Own You"). Bighead's son Ralph had moved to Hollywood, where he created the cartoon-within-a-cartoon "The Fatheads." Other regulars and semi-regulars included superhero Really Really Big Man and Spunky's resident parasites, Bloaty the Tick and Squirmy the Ringworm. The latter characters had yet another show-within-a-show, a classic TV-style sitcom titled "The Bloaty and Squirmy Show."
It was bizarre, it was grotesque... it was perfect for Nickelodeon. Rocko's Modern Life was an instant hit on the green slime network, an alternative for those who liked their cartoons nutty but didn't have the stomach for the barrage of booger and flatulence jokes on Ren & Stimpy. Nick ordered 26 new episodes for the second season (along with a new theme song performed by The B-52's), and the show even spent some crossover time airing on MTV. By making both Rocko and Ren & Stimpy into hits, the masses had voted with their remotes, and anarchic humor was the new king of the cartoon realm.
Settling in small-town O-Town with his stupid, hyperactive dog Spunky, Rocko did his best to make sense of America. He took a job at Kind-Of-A-Lot-Of-Comics, settled into a home, and befriended neighbors Heffer Wolfe (a hungry cow) and Fliburt (a nerdy turtle). Heffer was the only steer in a family of wolves, although he never caught on that he was adopted until Rocko tipped him off. Heffer told his wallaby-hating grandfather, Willie, that Rocko was a coyote, although Willie thought he was actually a beaver, which he equally despised. Filburt appeared in a variety of roles before becoming a regular friend of Rocko's. The turtle dated and ultimately married a multi-talented cat named Dr. Hutchinson, who appeared as a surgeon and a pharmacist, among other medical-related positions.
With his new friends, Rocko set about discovering the joys of a modern American lifestyle—health clubs, garbage day, discount airlines, etc. Many of the episodes were based around a single, simple premise, like going grocery shopping, attending traffic school, or getting fired. Regardless of the situation's simplicity, something would always go drastically wrong and chaos would ensue, setting Rocko up for one crazy, bizarre adventure after another.
Rocko's next-door neighbor was the unpleasant Mr. Bighead, who worked at mega-corporation Conglom-O (slogan: "We Own You"). Bighead's son Ralph had moved to Hollywood, where he created the cartoon-within-a-cartoon "The Fatheads." Other regulars and semi-regulars included superhero Really Really Big Man and Spunky's resident parasites, Bloaty the Tick and Squirmy the Ringworm. The latter characters had yet another show-within-a-show, a classic TV-style sitcom titled "The Bloaty and Squirmy Show."
It was bizarre, it was grotesque... it was perfect for Nickelodeon. Rocko's Modern Life was an instant hit on the green slime network, an alternative for those who liked their cartoons nutty but didn't have the stomach for the barrage of booger and flatulence jokes on Ren & Stimpy. Nick ordered 26 new episodes for the second season (along with a new theme song performed by The B-52's), and the show even spent some crossover time airing on MTV. By making both Rocko and Ren & Stimpy into hits, the masses had voted with their remotes, and anarchic humor was the new king of the cartoon realm.
