Temp Trouble
- Studio
- Lee Mendelson Films, Paws, Inc., Film Roman
- Animation studio
- Wang Film Production Co., Ltd., Cuckoo's Nest Studios.
- Distributor
- United Media Productions
Synopsis
Orson goes on another trip, leaving Aloysius Pig in charge. Being very pushy, Aloysius hands out loads of demerits to Wade and Roy for doing things even slightly objectionable.
Characters
Orson Pig, Roy Rooster, Wade Duck, Aloysius Pig
Credits
Directing
- Director
- Dave Brain, Chris Savino
Producing
- Producer
- Vincent Davis
- Executive Producer
- Phil Roman, Lee Mendelson, Jim Davis
Writing
- Writer
- Butch Hartman
Voices
- Voice
- Gregg Berger (Orson Pig), Thom Huge (Roy Rooster), Howie Morris (Wade Duck), Kevin Meaney (Aloysius Pig), Frank Buxton, Gary Owens, Greg Berg, Greg Burson, Harvey Korman, Rick Ducommun, Imogene Coca
Music
- Music
- Ed Bogas
- U.S. Acres Song By
- Thom Huge, Jon Barnard
- Garfield Theme Song By
- J.R. Johnston, Neil Panton
Editing
- Editor
- Horta Editorial Services
Crew
- Created By
- Jim Davis
- Storyboards
- Butch Hartman
- Models
- Dave Brain, Dave Brian, John McIntyre, Bill Wray
- Key Backgrounds
- Al Budnick, Don Watson, Gary Eggleston
- Key Layouts
- Cliff Voorhees, Bob Boyle, Monte Young, Nora Johnson
- Color Design
- Phyllis Craig, Libby Reed
- Supervising Sound Editor
- Tom Syslo
- Sound Editors
- Les Wolf, Jennifer Mertens
- Picture Editor
- Julie Anne Lau
- Re-Recording Mixer
- Tom Amelotte
- Music Editor
- Chris Rabideau
- Editorial Consultant
- Sam Horta
- Voice Recording
- Buzzy's Recording Services
- Music Recording
- Gary Clayton, Russian Hill Recording
- Video Services
- S.P. Arkle, Complete Post
- Director of Post-Production
- Barbara Beck
- Post-Production Supervisor
- Noel Roman
- Production Manager
- Jim Wyatt
- Production Coordinator
- Kristy Mendelson
- Executive in Charge of Production
- Bill Schultz
- Studio Production Manager
- Anne Luiting
- Overseas Supervisor
- Lynn Hoag
- Associate Producer for Paws, Inc.
- Kim Campbell
- Crew
- Incorporated
Companies and other credits
- Editor: Inc
- Video Services: Inc
- Animation Production by: Wang Film Productions Co
- Animation Production by: Ltd
- Animation Production by: Cuckoo's Nest Studios
- Produced In Association With
- © 1994 Paws
- All Rights Reserved
Production notes
Following in the footsteps of Peanuts, Jim Davis' Garfield began as a syndicated newspaper comic strip (1978) before moving on to primetime TV specials and then to a Saturday morning series.
The "And Friends" portion of the show centered on the characters from another Davis comic strip, the underrated U.S. Acres. Taking place on a farm, the segments featured a menagerie of highly colorful personalities: the leader, Orson, a kindly pig who was often the brunt of the jokes; Sheldon, a baby chicken who refused to hatch all the way, and so remained with all but his legs in the shell; Booker, his brother, who did make it out; Wade, a nervous duck who persistently wore an inflatable tube around his waist; and Roy, the wisecracking rooster.
The show enjoyed a successful seven-year run on CBS, and Garfield continues to be one of the most popular strips in the funny pages.
In season seven, the show went back to airing one new episode a week, but stayed in the hour-length format, filling up the second half-hour with episodes from the previous season and some of the prime-time specials from the 1980s.
The "And Friends" portion of the show centered on the characters from another Davis comic strip, the underrated U.S. Acres. Taking place on a farm, the segments featured a menagerie of highly colorful personalities: the leader, Orson, a kindly pig who was often the brunt of the jokes; Sheldon, a baby chicken who refused to hatch all the way, and so remained with all but his legs in the shell; Booker, his brother, who did make it out; Wade, a nervous duck who persistently wore an inflatable tube around his waist; and Roy, the wisecracking rooster.
The show enjoyed a successful seven-year run on CBS, and Garfield continues to be one of the most popular strips in the funny pages.
In season seven, the show went back to airing one new episode a week, but stayed in the hour-length format, filling up the second half-hour with episodes from the previous season and some of the prime-time specials from the 1980s.