Haunted Inheritance
- Studio
- Hanna-Barbera Studios
Synopsis
In the spirit of the original show, this series explored new material in a full-episode story, targeted very much at an audience of young children.
Characters
Fred Flintstone, Wilma Flintstone, Barney Rubble, Betty Rubble, Pebbles Flintstone, Bamm-Bamm Rubble, Mr. Slate
Credits
Directing
- Director
- Ray Patterson, Oscar Dufau, George Gordon
Producing
- Producer
- Art Scott
Writing
Animation
- Animator
- Frank Andrina, Colin Baker, Ed Barge, Tom Barnes, Maxwell Becraft, Bob Bemiller, Oliver Callahan, David Chell, Roger Chiasson, Steve Clark, Richard Coleman, Jesse Cosio, Elaine Despins, Joan Drake, Marcia Fertig, Gail Finkeldei, Doug Flockhart, Hugh Fraser, Charles Gammage, Mark Glamack, Bob Goe, Julio Guerrero, Terry Harrison, Bob Hathcock, Fred Hellmich, Tony Hutten, Volus Jones, Rick Leon, Terri Loewy, William Lokey, Michael Longden, Ernesto Lopez, Ed Love, Tony Love, Charles Macrae, Mauro Maressa, Kenneth Muse, Constantin Mustatea, Sean Newton, Eduardo Olivares, Margaret Parkes, Simon Praamsma, Harry Rasmussen, Morey Reden, Mitch Rochon, Thomas Ruegger, Louis Scarborough, Mark Simon, Ken Southworth, Dave Tendlar, Dick Thompson, Carlo Vinci, John Walker
- Animation Supervision
- Bill Keil, Jay Sarbry
- Assistant Animation Supervision
- Mark Glamack
Voices
- Voice
- Henry Corden (Fred), Jean Vander Pyl (Wilma, Pebbles), Mel Blanc (Barney), Gay Autterson (Betty), Donald Messick (Bamm-Bamm), John Stephenson (Mr. Slate), Jim MacGeorge, Barney Phillips, Janet Waldo
Music
- Music
- Hoyt Curtin
- Musical Supervisor
- Paul DeKorte
Editing
- Editor
- Gil Iverson
- Supervising Film Editors
- Larry C. Cowan, Pat Foley
Crew
- Executive Producers
- Joseph Barbera, William Hanna
- Producer
- Art Scott
- Directors
- Ray Patterson, Oscar Dufau, George Gordon
- Story Editor
- Larz Bourne
- Story Direction
- Jan Green, George Singer, Paul Sommer
- Story
- Doug Booth, Andy Heyward, Len Janson, Glenn Leopold, Chuck Menville, Bob Ogle, Ray Parker, Dave Stone, Chip Yaras
- Recording Director
- Art Scott
- Voices
- Gay Autterson, Mel Blanc, Henry Corden, Jim MacGeorge, Donald Messick, Barney Phillips, John Stephenson, Jean Vander Pyl, Janet Waldo
- Graphics
- Iraj Paran, Tom Wogatzke
- Musical Director
- Hoyt Curtin
- Musical Supervisor
- Paul DeKorte
- Design Supervisor
- Bob Singer
- Creative Design
- Iwao Takamoto
- Character Design
- Bob Singer, Gil Dicicco, Floyd Norman
- Layout Supervisor
- Don Morgan
- Key Layout
- Floyd Norman
- Layout
- Pete Alvarado, Susan Crossley, Owen Fitzgerald, Gary Hoffman, Mark Kirkland, Jack Manning, Dan Noonan, Jose Rivera, Glenn Schmitz, Scott Shaw, Al Wilson
- Animation Supervision
- Bill Keil, Jay Sarbry
- Assistant Animation Supervisor
- Mark Glamack
- Animation
- Frank Andrina, Colin Baker, Ed Barge, Tom Barnes, Maxwell Becraft, Bob Bemiller, Oliver Callahan, David Chell, Roger Chiasson, Steve Clark, Richard Coleman, Jesse Cosio, Elaine Despins, Joan Drake, Marcia Fertig, Gail Finkeldei, Doug Flockhart, Hugh Fraser, Charles Gammage, Mark Glamack, Bob Goe, Julio Guerrero, Terry Harrison, Bob Hathcock, Fred Hellmich, Bill Hutten, Volus Jones, Rick Leon, Terri Loewy, William Lokey, Michael Longden, Ernesto Lopez, Ed Love, Tony Love, Charles Macrae, Mauro Maressa, Kenneth Muse, Constantin Mustatea, Sean Newton, Eduardo Olivares, Margaret Parkes, Simon Praamsma, Harry Rasmussen, Morey Reden, Mitch Rochon, Thomas Ruegger, Louis Scarborough, Mark Simon, Ken Southworth, Dave Tendlar, Dick Thompson, Carlo Vinci, John Walker
- Background Supervisor
- Al Gmuer
- Backgrounds
- Lorraine Andrina, Fernando Arce, Dennis Durrell, Bob Gentle, Ann Guenther, James Hegedus, Jim Hickey, Paro Hozumi, Michael Humphries, Andy Phillipson, Jeff Riche, Sera Segal-Alsberg, Dennis Venizelos
- Checking and Scene Planning
- Cindy Smith
- Xerography
- Star Wirth
- Ink and Paint Supervision
- Alison Victory, Billie Kerns
- Sound Direction
- Richard Olson, Bill Getty
- Camera
- George Epperson, Candy Edwards, Ron Jackson, Bob Marples, Kieran Mulgrew, Brandy Whittington, Jerry Whittington
- Supervising Film Editors
- Larry C. Cowan, Pat Foley
- Music Editors
- Joe Sandusky, Terry Moore
- Effects Editors
- David Stone, Mark Mangini, Mark Green
- Show Editor
- Gil Iverson
- Negative Consultant
- William E. DeBoer
- Production Manager
- Jayne Barbera
- Post Production Supervisor
- Joed Eaton
Companies and other credits
- Executive Producers: William_Hanna
- Executive Producers: Joseph_Barbera
- A HANNA-BARBERA PRODUCTION
- Copyright © 1979 Hanna-Barbera Productions
- Inc
Production notes
For the first time in several years, Hanna-Barbera produced new 30-minute misadventures of the complete Flintstone and Rubble families in 1979's The New Fred and Barney Show. The early 70's The Pebbles and Bamm-Bamm Show had kept the gang in the limelight, but the Archies-influenced musical shenanigans (featuring a teenage Pebbles and Bamm Bamm in a bubblegum pop group) bore little resemblance to the original Flintstones.
The New Fred and Barney Show put the Flintstone and Rubble offspring back where they began, as adorable babies. In fact, aside from the slightly altered animation and Fred's new voice (Alan Reed had passed away in 1977), The New Fred and Barney Show felt a lot more like the original Flintstones show than any other incarnation. Fred still dreamed up zany schemes, Barney still went along and Wilma and Betty still came to the rescue when the schemes backfired.
Even still, The New Fred and Barney Show was still clearly a child of the 70's. In addition to the Scooby-Doo-esque adventures with witches and werewolves, the show spoofed such contemporary fads as C.B. radio and the physical fitness craze.
Ten new episodes of The New Fred and Barney Show mixed with 13 classic Flintstones episodes to fill out the early 1979 show. That fall, the gang had a brand new companion segment, The Thing. The new Fred and Barney Meet The Thing show showcased seven brand-new Fred and Barney episodes, along with the adventures of rocky orange Fantastic Four strongman The Thing (with a very different origin story).
In December of that year, yet another classic character joined the show, forming the 90-minute Fred and Barney Meet The Shmoo. The unlikely cartoon threesome banded together through the end of 1980, when the entire show was overhauled into another 90-minute extravaganza, The Flintstones Comedy Show.
The layout artist identified as "Jose Rivera in the credits probably is Tony Rivera. The animators identified as "Tony Hutten" and "William Lokey" probably are Bill Hutten and Hicks Lokey, respectively.
When this show was originally on NBC from February to September 1979, was the ending Hanna-Barbera logo the "Rainbow Hanna-Barbera" (1978 version, smaller Hanna-Barbera logo as opposed to the original 1974 version in which said logo was larger).
When this show became part of the Fred and Barney Meet The Thing hour-long block starting September 22, 1979, were these particular credits combined with the production credits related to Hanna-Barbera's The Thing as a single sequence?
The New Fred and Barney Show put the Flintstone and Rubble offspring back where they began, as adorable babies. In fact, aside from the slightly altered animation and Fred's new voice (Alan Reed had passed away in 1977), The New Fred and Barney Show felt a lot more like the original Flintstones show than any other incarnation. Fred still dreamed up zany schemes, Barney still went along and Wilma and Betty still came to the rescue when the schemes backfired.
Even still, The New Fred and Barney Show was still clearly a child of the 70's. In addition to the Scooby-Doo-esque adventures with witches and werewolves, the show spoofed such contemporary fads as C.B. radio and the physical fitness craze.
Ten new episodes of The New Fred and Barney Show mixed with 13 classic Flintstones episodes to fill out the early 1979 show. That fall, the gang had a brand new companion segment, The Thing. The new Fred and Barney Meet The Thing show showcased seven brand-new Fred and Barney episodes, along with the adventures of rocky orange Fantastic Four strongman The Thing (with a very different origin story).
In December of that year, yet another classic character joined the show, forming the 90-minute Fred and Barney Meet The Shmoo. The unlikely cartoon threesome banded together through the end of 1980, when the entire show was overhauled into another 90-minute extravaganza, The Flintstones Comedy Show.
The layout artist identified as "Jose Rivera in the credits probably is Tony Rivera. The animators identified as "Tony Hutten" and "William Lokey" probably are Bill Hutten and Hicks Lokey, respectively.
When this show was originally on NBC from February to September 1979, was the ending Hanna-Barbera logo the "Rainbow Hanna-Barbera" (1978 version, smaller Hanna-Barbera logo as opposed to the original 1974 version in which said logo was larger).
When this show became part of the Fred and Barney Meet The Thing hour-long block starting September 22, 1979, were these particular credits combined with the production credits related to Hanna-Barbera's The Thing as a single sequence?