
Brother Bear
Also known as: Bears (Working Title), Moments (Working Title)
- Studio
- Walt Disney Pictures
- Animation studio
- Walt Disney Feature Animation (Orlando)
- Distributor
- Buena Vista Pictures Distribution
Synopsis
The chief of the tribe is killed by a bear. His eldest son becomes chief in his place. The new chief's younger brother argues that his brother's first course of action should be to hunt down and kill the bear.
Characters
Kenai, Koda, Sitka, Tug, Rutt, Tuke, Tanana, Denahi, Mabel, Rams, Male Lover Bear, Female Lover Bear, Foreign Croatian Bear, Chipmunks, Valley Girl Bear
Credits
Directing
- Director
- Aaron Blaise, Bob Walker
Producing
- Producer
- Chuck Williams
- Executive Producer
- Chuck Williams
- Associate Producer
- Igor Khait
- Produced By
- Rob Cavallo
Writing
Voices
- Voice
- Joaquin Phoenix (Kenai/Bear), Jeremy Suarez (Koda), Jason Raize (Denahi), Rick Moranis (Rutt), Dave Thomas (Tuke), D.B. Sweeney (Sitka), Joan Copeland (Tanana), Michael Clarke Duncan (Tug), Harold Gould (Old Denahi), Paul Christie (Ram #1), Daniel Mastrogiorgio (Ram #2), Estelle Harris (Mabel the Old Lady Bear), Greg Proops (Male Lover Bear), Pauley Perrette (Female Lover Bear), Darko Cesar (Croatian Bear), Bumper Robinson (Chipmunks), Hope Levy (Valley Girl Bear), Patrick (Pat) Pinney, Brian Posehn, Phil Proctor, Pam Seagall, Bob Bergen, Rodger Bumpass, Jennifer Darling, Debi Derryberry, Bill Farmer, Sherry Lynn, Mickie McGowan, Caitlin Rose Anderson, Maxi Anderson, Carmen Carter, Randel Crenshaw, Trey Finney, Ben Johnson, Amy Keys, Rick Logan, Susie Stevens-Logan, Arnold McCuller, Tim Mertens, Josef Powell, Lamonte Van Hook, Julia Tillman Waters, Maxine W. Waters, Oren Waters, Willie Wheaton, Fred White, Terry Wood, Terry Young, Angayuqaq Oscar Kawagley, Ph.D (Narrator [Inuit]), Joaquin Phoenix, Jeremy Suarez, Jason Raize, Joaquin Phoenix, Rick Moranis, Dave Thomas, D.B. Sweeney, Joan Copeland
Music
- Music
- Phil Collins, Mark Mancina
- Songs
- Phil Collins
Animation
- Supervising Animator
- Byron Howard, Alex Kupershmidt, Ruben A. Aquino, James Young Jackson
- Animators
- Jonathan Annand, Gregg Azzopardi, Robert Bryan, Don Crum, Steve Mason, Branko Mihanovic, Jean Claude Tran, John Webber, Ian White, Travis Blaise, Jason Boose, Darko Cesar, Robert O. Corley, Sasha Dorogov, Trey Finney, Sarah Mercey-Boose, Dominic M. Carola, Theodore Anthony, Lee Ty, Michael Benet, John Hurst, Joseph F. Gilland, Robert Bennett, Jazno Francoeur, Troy A. Gustafson, Dan Lund, Gary Schumer, John David Thornton, Tony West
- Layout Supervisor
- Jeff Dickson
- Clean-Up Supervisors
- Philip Scott Boyd, Christine Lawrence Finney
- Scene Planning/Camera
- John Cunningham
- Animation Check
- Daniel Cohen
- 2D Animation Processing
- David Braden
- Lead Animator
- Tony Stanley, Broose Johnson, Anthony Wayne Michaels, Tom Gately, Rune Brandt Bennicke
- Additional Animation
- David W. Zach, Tom Bancroft, Robert Bryan
- Rough Inbetweeners
- Paulo R. Alvarado, Todd Bright, Brad Condie, Cindy Ge Benet, Krista Heij, Paul N. McDonald, Bob Spang, Ronnie Williford
- Breakdown
- Daniel Lawrence Riebold, Frank R. Cordero, Tom De Rosier, Perry Farinola, Steven Charles Geer, Stephen Nelson Austin, Lisa G. Lanyon, Elsa Sesto-Vidal, Chad Thompson, Dominic A'Vant, Kevin A. Barber, Russell Braun, Phillip A. Jones, Tim Massa, Benjamin William Adams, Rebecca Wrigley, Hugo J. Giraud Collazo, Natalie White, Peter Raymundo, Brian Beauchamp, Lee Crowe, Joel K. Biske, Christopher Robert Bromby, William J. Haas, Heather M. Shepherd, Rochelle Doriot Smith
- Inbetweeners
- Jeffrey Scott Brown, David Holbrook, Jeremy Falkowski, Tony Santo, Steven Quentin, Danny R. Santos, Carlos Arancibia, Jacqueline M. Shepherd, David Mar, Greg Hill, Frank Digregorio, Jason Pichon, Christian Slade, Matt Whitlock
- 3D Effects Animators
- Darlene E. Hadrika, Jason William Wolbert
- Key Assistant Animators
- Paul Briggs, Michael L. Oliva, Paitoon Ratanasirintrawoot, Michael Todd Montgomery
- Assistant Animators
- Robert Blalock, John Cashman, Sean Simon Ramirez, Lora M. Spran
- Lead Modeler
- Brian Jefcoat
- Look Development Supervisor
- Tony Plett
- Model TD/Herd Animation
- Sean Locke
- Look Development TD
- Chalermpon (Yo) Poungpeth
- 3D Character Animation
- James Michael Crossley
- Animation Editor
- Beth A. Collins-Stegmaier
- Layout
- Krissie Kaufman
- Animation
- Cindy Leopold Beltz
- Clean-Up
- Jackie L. Shadrake
- Scene Planners
- Mary Lescher, Paul Steele, Christopher Holland
- Scene Planning Pre-Checker/Camera Operator
- Tom Grealy
- Animation Checkers
- Jan Barley Gutowski, Jacqueline Hooks-Winterlich, Todd Laplante, Rosaleen O'Byrne
- 2D Animation Processors
- Barbara J. Poirier, Leigh A. Nelson, Colleen Elise Tomlinson
- Final Checkers
- Andrew Simmons, Lisa Padawer Ratanasirintrawoot
- Color Timer
- Bruce Tauscher, Chris Delaguardia
- Additional Animation- (Los Angeles & Paris)
- Wesley Chun, Doug Frankle, Kristen Heller, Arturo Hernandez, Mark Koetsier, Cynthia Landeros, Douglas Post, Albert Salgado, Chris Sauve, Susan Sugita, Marshall Toomey, Bill Waldman, Georges Abolin, Marco Allard, Juanjo Guarnido, Gontran Hoarau, Catherine Poulain
- Additional Rough Inbetweeners
- Carlos Arancibia, Amy Drobeck, Richard S. Morgan, Daniel Lawrence Riebold, Patrick Tuorto, Ginger Wolf-Browning
- Additional Clean-Up- (Paris)
- Florence Montceau, Laurence Adam-Bessiére, Claire Bourdin, Philippe Briones, Christine Chatal Poli, Farouk Cherfi, Nicole De Bellefroid, Bernard Dourdent, Javier Espinosa Bañuelos, Maria Angela Iturriza Freire, Christine Landes, Ludovic Letrun, Philippe Malka, Gizella Maros Gregan, Benoît Meurzec, Pierre Seurin Landreau, Phirum Sou, Sylvaine Terriou, Marc Tosolini, Xavier Villez
- Additional Clean-Up- (Los Angeles)
- Vera Pacheco, James Burks, Michael Cedeno, Chang Cho, Cliff Freitas, Suzanne Hirota, Allison Hollen, Yung Soo Kim, Brian B. McKim, Stephanie Olivieri, Flora Sung Sook Park, David Recinos, Mary-Jean Repchuk
Art Department
- Art Direction
- Robh Ruppel
- Character Design
- Rune Brandt Bennicke
- Background Stylist
- Xiangyuan Jie
- Story Supervisor
- Stephen Anderson
- Backgrounds Supervisor
- Barry R. Kooser
- Color Models
- Irma Cartaya-Torre, Shellie West
- Paint
- Hortensia M. Casagran
- Visual Development
- Hans Bacher, Richie Chavez, Paul Felix, Douglas Henderson, Xiangyuan Jie, Sai Ping Lok, Bill Perkins, Franc Reyes, Harald Siepermann, Marcelo Vignali, Terryl A. Whitlatch
- Story Artists
- Stephen Anderson, Northan Greno, Stevie Wermers-Sketton, Kevin Deters, Thom Eriquez, Broose Johnson, John Norton, Kevin Harkey, John Plugllisi
- Backgrounds/Animation Check
- Lisa Watts
- Color Model Stylists
- Cheryl Davis, Kenneth Carlyle Landrum, Debra Siegel-Furlin, Jaison Duell Wilson
- Color Model Mark-Up/Registration/Paint
- Karrie Keuling Michaels, Laura Lynn F. Rippberger
- Assistant Paint Supervisors
- Irma Velez, Russell Blandino, Phyllis Estelle Fields
- Paint Mark-Up
- Carmen Regina Alvarez, Roberta Lee Borchardt, Casey Clayton, Patricia L. Gold, Bonnie A. Ramsey, Myrian Ferron Tello
- Painters
- Joyce Alexander, Bill Andres, Kirk Axtell II, Joey Calderon, Janice M. Caston, Karen N. China, Lea Dahlen, Robert Dettloff, Michael Foley, Debbie Green, Vernette Griffee, Debbie Henson, Janette Hulett, David Karp, Angelika R. Katz, Misoon Kim, Sally-Anne King, Kukhee Lee, Heidi Lin Mahoney, Monica Albracht Marroquin, Beth Ann McCoy-Gee, Teri N. McDonald, Catherine Mirkovich-Peterson, Deborah Jane Mooneyham, Margarito Murillo, Ofra Afuta Naylor, Karen Lynne Nugent, Eric Oliver, Devon Oddone, Rosalinde Praamasma, Yolanda Rearick, Saskia Raevouri, Ania Rubisz, Christine Schultz, Heidi Woodward Shellhorn, Grace H. Shirado, Roxanne M. Taylor, Tami Terusa, Christine Toth, Britt-Marie Van Der Nagel, David J. Zywicki
- Additional Visual Development
- Jonathan Annand, Sunny Apinchapong, David Crane, Guy Deel, Roderick Maki, James Martin, Gabor 'Tom' Steisinger, Chuck Vollmer
- Additional Backgrounds Supervisor
- Doug Ball
- Additional Backgrounds- (Los Angeles)
- Carl Jones, Sai Ping Lok, James J. Martin, Thomas Woodington
Visual Effects
- Visual Effects Supervisor
- Garrett Wren
- Compositing
- Jason Leonard Robert Buske
- 3D Effects TDs
- Kirk Alan Garfield, Chris Hummel, Andrea Losch
- Visual Effects
- Kellie M. Hoover
- Compositor
- Earl Scott Coffman
- Additional Effects- (Paris)
- Thierry Chaffoin, Helene Cnockaert, Mathilde Danton, Adeline Monin, Maria Nemeth, Mouloud Oussid, Gregory Regeste, Nicolas Ruedy, Karel Zilliacus
Camera
- Camera Department Coordinator
- Suzy Zeffren-Rauch
Editing
- Editor
- Tim Mertens
- Associate Editor
- Jeff Draheim
- First Assistant Editor
- Brion McIntosh
- Avid Assistant Editor
- Shannon Stein
- Editorial
- Jeff Hand
- Negative Cutting
- Buena Vista Negative Cutting, Mary Beth Smith, Rick Mackay
Sound
- Sound Effects Editor
- Steve Lee
- Supervising Sound Effects Editors
- Richard L. Anderson, Mike Chock
- ADR Supervisor
- Petra Bach
- ADR Editor
- Piero Mura
- Foley Editor
- Reuben Simon
- Assistant Sound Designer
- Mark Binder
- Assistant Sound Effects Editors
- Mark Coffey, Ralph Stuart
- Foley Artists
- John Roesch, Alyson Dee Moore
- Foley Mixer
- Mary Jo Lang
- Foley Recordist
- Scott Morgan
- Supervising Sound Mixers
- Mark Smith, Ron Bartlett
- Original Dialogue Recording Engineer
- Vince Caro
- Re-Recordists
- Eric Bretter, Eric Hosmer
- Additional Dialogue Recording Engineers
- Jackson Schwartz, Daniel Cubert, James A. Sandweiss, Doc Kane, Rob Hill
- Post Production Audio Coordinator
- Christopher Pinkston
Music Department
- Music Editor
- Earl Ghaffari
- Orchestrations
- David Metzger
- Additional Vocal Production
- Chris Goldsmith
- Strings Arranged, Conducted By
- David Campbell
- Vocal Arrangements
- Phil Collins, Mark Mancina, David Metzger
- Score Recorded And Mixed By
- Steve Kempster
- Music Production Supervisor
- Tom MacDougall
- Music Production Manager
- Andrew Page
- Music Production Coordinator
- Deniece Hall
- Orchestra Conducted By
- Don Harper
- Vocal Contractor
- Carmen Carter, Bobbi Page
- Supervising Music Copyist
- Booker White- Walt Disney Music Library
- Assistant Music Editor
- Daniel Gaber
- Music Production Assistants
- Joel Berke, Jill Iverson
- Score Assistant
- Johnny Whieldon
Casting
- Casting
- Mary Hidalgo, Matthew Jon Beck
- Additional Casting
- Ruth Lambert, Jen Rudin
Production Management
- Production Manager
- Bruce Anderson
- Artistic Coordinator
- Kirk Bodyfelt
- Assistant Artistic Coordinator
- Paul Kashuk, Jr.
- Digital Production Manager
- Randy Parker
- Production Accountant
- Stephanie Mendoza
- Assistant Production Accountant
- Shirley Collier
- Paris Production Manager
- Coralie Cudot-Lissillour
- Production
- Stephanie Green-Spahn
- Publicity Florida
- Kelly Slagle
- Publicity California
- Kelley Derr
- Production Assistants
- Jamal M. Davis, Garret E. Albritton, Christin Ciaccio Briggs, Susan Childs Crum, Nanette K. Drumtra, Jennifer Gibson, Michellina Carola Grealy, Jennifer L. Kagel, Anne-Marie Martinez, Charlene Moncrief, Jennifer R. Peltz, William J. Sperounis, Andrea Salhab, David Willnerd, Rodolfo Cardenas-Rios, Bérangère Frésard, Jeffry G. Georgianni, Ninka K. Mortensen-Clérin, Daryl Rosenberg, Nora Quinn Souffir, Jennifer Tymkiw, Dawn M. Watson
- Assistants To The Producer
- Mimi Doss, Virginia Perry Smith
- Assistant To Production Manager (Paris)
- Christelle Kam
- Production Coordinators (LA) Disk Space & Retakes
- Rikki Chobanian, Renato Lattanzi, Michael Martines
- Post Production Manager
- Bérénice Robinson
- Florida Post Production Supervisor
- Leslie Moes
- Post Production Coordinator
- Valerie Anne Flueger
- Post Production Engineer
- Michael Kenji Tomizawa
Crew
- Crew
- Caps Supervisors, LAYOUT, Kenai-Bear, Koda, Denahi, Kenai - Human, Rutt, Tuke, Sitka, Tanana, Backgrounds, Kenai - Bear, Koda, Denahi, Kenai - Human, Editorial, CAPS Management, Music, "No Way Out (Theme From Brother Bear)" -(Phil Collins Version), Franchesca Arata, Travis Beckner, Dianne Bennaissa, Steve Berry, Kevin L. Briggs, Donna Cartee Brown, Chantal Beck Bumgarner, Andy Burnell, Jayne Carter, Marian Carchidi, Nathalie Cuzenic Christopher, Paul Colacchio, Lisa Cook, Alex Chatfield, Melissa Crabtree, Dana Rosati Dillon, Joshua P. Edwards, Natasha Foster-Owens, Maggie Walsh Gisel, Maryann Gromoll, Amy Hodman, Karen Greco Hofheimer, Scott Hutton, Steve Langdon, Jack P. Lew, Rachele Oliver Lord, Francine Luna, Sanj Marosi, Carolyn McClendon, James Melton, Todd Michel, Heath J. Miller, Jim Miller, James M. Moreno, Tina O'Hailey, Lynn Oldenborg, Pat Parnow, Gregory F. Plotts, Patrick G. Ramos, Beth Rega, Jolie Rivera, Paul Roderick, Talkeetna Air Taxi, Chad Rogers, Hermann H. Schmidt, Scott Seiffert, Steve Specht, Stuart Sumida, Kris Taft, Shannon Beatty Tichenor, Timothy Treadwell, Jo Katherine Wentworth, Jennifer Lester Westmoreland, Law In The United Kingdom, Soundtrack Available On, Distributed By
- Manager
- Fran Kirsten
- Film & Digital Services
- William Fadness
- Character Sculptures
- Tony Cipriano
- Journeymen
- Billy George, Craig Anthony Grasso, Andrew Edward Harkness, Andrew Hickson, Thomas Humber, Richard Carl Livingston, Armand Serrano, Ron De Felice, Christopher F. Greco, Dean Kovats, Xin-Lin Fan, David Murray, William T. Silvers Jr, Robert E. Stanton, Sean Sullivan, David Wang (Ying Guang), David Yorke
- Key Assistants
- Peter J. Deluca, Tom Dow, Bill Hodman, Kevin Proctor, Kenneth Spirduso, George Villaflor, Merritt Faye Andrews, Roland Mechael B. Ilagan, Ron Cohee, Mi Yul Lee, John R. Walsh, Caroline Clifford, Vincent Siracusano, Dan Daly, Russell "Rusty" Stoll
- Assistants
- Franc Reyes, Kenneth Spirduso, Philip J. Allora, Amy Drobeck, Sean Luo, Patrick Tuorto, Ginger Wolf-Browning, Katherine Blackmore, Jason Peltz, John J. Pierro, Seung Beom Kim, Janelle Bell-Martin, Scott A. Burroughs, Richard S. Morgan, Ron Zeitler, Tammy Daniel-Biske, Antony De Fato, Phil Noto, John O'Hailey
- Blue Sketch Artist
- Joanne Johnson Tzuanos
- Voice Of Tug
- Michael Clarke Duncan
- Digital Touch-Up
- Kathy Schoeppner
- Digital Touch-Up (California)
- Christine Laubach
- Lead Key
- Rachel Renee Bibb, Sam Ewing, Daniel A. Gracey, Bryan M. Sommer, Monica Murdock, Yer (Za) Vue, Tom Fish, David T. Nethery, Kellie D. Lewis
- Lead Assistants
- James A. Harris, Maurillo Morales, Teresita Quezada-Geer, Lon Smart, Kim Torpey, Jane Zhao, Pamela Mathues, Thomas Thorspecken
- 3D Waterfalls
- Derrick Lee McKenzie
- X Sheet/Data Entry
- Kip Lanai Stone
- CGI Supervisor
- Scott Kersavage
- Assistant TDs
- Carlos Muñoz, Michael Budd, Jamie Kirschenbaum
- Model Development
- Sandra Maria Groeneveld, Eric Guaglione
- Sweatbox
- Stephen R. Craig
- CAPS
- Mike Brassell
- Digital Production
- Jennifer Christine Vera
- California Production
- Jenni Magee-Cook, Michael J. Miller
- Paris Production
- Michael De La Cruz, Etienne Longa, Frederika Pepping
- Manager Disk Space & Retakes
- Brenda McGirl
- Assistant Manager, Disk Space & Retakes
- Ben Lemon
- Assistant Manager, Digital & Film Services
- Stephanie C. Herrman
- Assistant Supervisor
- Albert Francis Moore
- Registration
- Leyla C. Amaro-Nodas, Karen Lee-Storr
- California Supervisor
- James 'JR' Russell
- Digital Film Recorder Operators
- John Aardal, William Aylsworth, John Derderian, Jennie Kepenek Mouzis
- Technical Supervisor
- Christopher W. Gee
- Voice Coaches
- Nancy Cartwright, Rick Dempsey
- Produced, Arranged By
- Phil Collins, Mark Mancina, Mark Mancina, Phil Collins, Phil Collins, Mark Mancina, Phil Collins, Mark Mancina, Phil Collins, Mark Mancina, Phil Collins, Chris Montan
- Performed By
- Tina Turner, The Blind Boys Of Alabama, Phil Collins with Oren Waters, Phil Collins, Jeremy Suarez, Phil Collins, Phil Collins, Phil Collins
- Choral Arrangement
- Eddie Jobson
- Arranged By
- Phil Collins, Rob Cavallo
- Recorded By
- Allen Sides
- Mixed By
- Chris Lord-Alge, Chris Lord-Alge
- Songs Recorded And Mixed By
- Frank Wolf, Steve Kempster
- Technical Consultant
- Chuck Choi
- Songs Contracted By
- Reggie Wilson, Sandy De Crescent
- "Transformation" Inuit Translation
- Lorena Kapniaq Williams
- Executive Assistant
- Melissa Rivas-Torres
- Additional Story
- Tim Hodge, Tom Labaff, Ray Shenusay, Brian Pimental, Jim Story, Don Dougherty, Don Hall, Samuel Levine, Aurian Redson, Chris Williams
- Additional Story Material
- Jeff Hand
- Additional Digital Production Support
- Rob Bekuhrs, Simon O'Connor, Jayme Wilkinson, Joseph M. Lohmar
- Manager Of Technology
- Mark W. Gilicinski
- Technology
- Ross Allard, Raul Anaya, Matt Bialosuknia, Richard Bingle, Michael Clay, Jefferson Crutchfield, Larry Grant Edminister, Juan Antonio Fernandez Bayon, Don Gworek, Dwayne Harris, Dana Haukoos, Terrence Sean Kane, James Edward Leslie, Tammy Nabors Middleton, Marisa Paolercio, Carmen Binette Perreault, Michael Saitta, Barbara Thornton, John W. Wheeler
- Additional Technology Support (California)
- Brett Achorn, Hank Barrio, Jason L. Bergman, Michael S. Blum, Brad Brooks, Letha L. Burchard, William T. Carpenter, Peter Lee Chun, Tom Corrigan, Charles E. Deal, Brendan Keith Duncan, Norbert Faerstain, Megan Jana Fish, James P. Hurrell, Michael Lee James, Kevin E. Keech, Kimberly W. Keech, Mike Kliewer, Catherine Lam, Joseph M. Lohmar, John A. Longhini, James Macburney, Thaddeus P. Miller, Ramon Montoya-Vozmediano, Ken Moore, Greg Neagle, Tamara Payton, Matt Schnittker, Arthur H. Shek, Chris Sparkes, Byron Stultz, Michael Tighe, Bond-Jay Ting, Alex Torija-Paris, Lewis Wakeland, Terence Worley, Fran Raquel Zandonella, Michael Zarembski, John Yoon
- Additional Technology Support (Paris)
- François Desnus, Pascal Lopes, Jean Mandonnet, Christophe Meslin, Nathalie Roca-Ripoll
- Stage Engineers
- Evan Daum, Mike Novitch
- End Title Credits
- Buena Vista Imaging
- Transfer Room Operators
- Robert H. Bagley, Robert J. Hansen
Companies and other credits
- Character Animation
- Tug & Koda's Mom
- Clean-Up Animation
- Rutt & Tuke
- Sitka & Miscellaneous Characters
- Tanana & Miscellaneous Bears
- Tug & Koda's Mom
- Mammoths & Miscellaneous Animals
- Visual Effects Animation
- Digital Production
- Production
- Assistant Production Managers
- Animation Check
- "Great Spirits"
- "Transformation"
- Performed By: The Bulgarian Women's Choir
- "Welcome"
- "On My Way"
- "No Way Out (Theme From Brother Bear)"
- "Look Through My Eyes"
- Choral Arrangements: Eddie Jobson Featuring The Bulgarian Women's Choir
- Production
- Post Production
- Sound Editorial Services: Technicolor® - Weddington
- Foley: Warner Bros. Studio Facilities Hollywood
- Re-Recorded At: Warner Bros. Studio Facilities Hollywood
- Prints By Technicolor®
- Very Special Thanks To The Following Support Staff
- At Walt Disney Feature Animation Whose Tireless
- Efforts Made This Film Possible
- John & Monica Welde
- Bambi & Bruno
- Phil Collins Appears Courtesy Of Atlantic Records
- Tina Turner Appears Courtesy Of Parlophone/EMI Records Limited
- The Bulgarian Women's Choir Appears Courtesy Of Globe Music Media Arts Corp./Jaro Medien Gmbh
- The Blind Boys Of Alabama Appear Courtesy Of Real World Records
- Ltd
- Rob Cavallo Appears Courtesy Of Warner Bros. Records Inc
- Copyright ©MMIII Disney Enterprises
- Inc
Production notes
Release date reflects limited release at New York's Ziegfeld and Hollywood's El Capitan theatres. Nationwide release for this film was on November 1, 2003.
Since the Berenstain Bear books feature a character named Brother Bear, Disney had to license the phrase for the title.
The directorial debut of Aaron Blaise and Robert Walker, and the first film produced by Chuck Williams.
Phil Collins' first collaboration (with Mark Mancina) on a film score.
Two of Collins' songs are performed (separately) by Tina Turner and The Blind Boys of Alabama.
When Kenai is transformed into the bear, the movie shifts to a wider format and the colors become supersaturated in a depiction of a "bear's eye view" of the world.
This was the 44th film in the official Disney list of animated films.
Since the Berenstain Bear books feature a character named Brother Bear, Disney had to license the phrase for the title.
The directorial debut of Aaron Blaise and Robert Walker, and the first film produced by Chuck Williams.
Phil Collins' first collaboration (with Mark Mancina) on a film score.
Two of Collins' songs are performed (separately) by Tina Turner and The Blind Boys of Alabama.
When Kenai is transformed into the bear, the movie shifts to a wider format and the colors become supersaturated in a depiction of a "bear's eye view" of the world.
This was the 44th film in the official Disney list of animated films.
Awards
Academy Award Nominee, Best Animated Feature, 2004
Pictures
Reviews
Brother Bear
'Brother Bear'is a very touching movie. It's all about brotherhood and the need for giving into a relationship.Kenai is given the totem of the 'bear of love' and he is not satisfied with it because he thinks that there are better things a man can do than love.Through his adventures he realises that love is not only about being sentimental but actually being there for someone who needs you.
This movie is funny and the music is great!I would gladly watch it again!
Brother Bear
Pure pap. Technically striking, but so what? Only reason I bought the DVD is because Dave Thomas and Rick Moranis do the running commentary in character, and even that was below par for these comics talent. For all who adore this movie and disagree with my review I will say this, I am slightly biased as I am offended right off the bat at the banality of the music in any Disney movie that uses the homogonous, middle of the road mediocrity of Phil Collins or Elton John. Disney used to get hip music from the likes of Phil Harris and Luis Prima and to sink so low on the scale is apalling to me. At least their cousins ofver at Pixar have the good sensibilities to work with folks like Randy Newman.
Brother Bear
In the Disney-bear-movie sweepstakes, at least "Brother Bear" is miles ahead of 2002's fiasco "The Country Bears." Still, it's a pity Hanna-Barbera didn't make this movie. After a few dozen pronouncements about the wise spirit of Mother Nature, you might find yourself waiting for Yogi and Boo-Boo to come along and goose up the pace a bit.
In the latest of Disney's ongoing efforts to rile minorities, "Brother Bear" rips off Native Americans in best "Pocahontas" style. One in a trio of uppity brothers is accidentally sent to his death by a nasty bear. And the middle brother, feisty Kenai (voiced by Joaquin Phoenix), starts egging the bear on in order to duel with him. I know from nothing about nature, but I learned long ago not to get macho on an animal that can behead you with one swipe of his paw. Wouldn't such a lesson be second nature to a Native American?
Kenai has at it with the grizzly, though, and he even wins. But then the Spirits turn Kenai into a bear, so that he can discover what it's like to be an oppressed minority (because Native Americans just haven't grasped that concept yet, right?). When it comes to humility lessons for macho men, I have to say that Dustin Hoffman's in "Tootsie" was far more satisfying.
The movie has its worthwhile moments. The scene where Kenai-as-bear finally realizes the gravity of the situation he has caused is nicely done. And the smartest thing the movie's makers did was hire "Second City TV" vets Rick Moranis and Dave Thomas to reprise their dumb-Canadian shtick, embodied here in a pair of very dim moose.
On the debit side, there's Phil Collins' "Tarzan"-retread songs about the joy of being one with nature (though I don't think we'll be seeing Collins move into a log cabin while he's on the Disney payroll). And though the movie is nicely animated for the most part, it oozes a lot of unnecessary red. Woods, sky, fresh salmon--much of the movie seems ominously scarlet, as though the animation got an e.Coli infection.
After some of Disney's recent non-starters, "Brother Bear" is at least a step in the right direction, though "Finding Nemo" made a lot of the same points about nature and was more entertaining in the bargain.
Brother Bear
This is a good production by Disney, which includes all the features that typical Disney productions do. The characters are all superb and the animation is great, as expected. The music is -once again- delightful. Phill Collins seems to be doing a great job for cartoon soundtracks (having in mind his previous work with Disney, in 'Hercules' and 'Tarzan'). The story is pretty interesting, even though it reaches some 'dangerous' concepts of life after death. Some scenes can be considered as a little violent for a cartoon movie. This production can be described as a 'children movie for adults'.
Brother Bear
Very well done. The story flows well. Good characterization. The McKenzie Brothers moose are hilarious. One of Disney's best for sure.



