Calling Dirty
- Studio
- Hanna-Barbera Studios
Synopsis
Dirty Dawg and his chum Ratso lived in a city garbage dump, fighting the man (in the form of police officer Bullhorn) while trying to get a meal.
Characters
Dirty Dawg, Ratso, Bullhorn
Credits
Directing
- Director
- George Gordon, Carl Urbano, Rudy Zamora
- Supervising Director
- Ray Patterson
- Assistant Directors
- Bob Goe, Terry Harrison
Producing
- Producer
- Art Scott
- Executive Producers
- William Hanna, Joseph Barbera
- Associate Producer
- Doug Patterson
Animation
- Animator
- Frank Andrina, Ed Barge, Tom Barnes, Susan Beak, Bob Bemiller, Astrid Brennan, Lefty Callahan, Rudy Cataldi, Jesse Cosio, Zeon Davush, Ed De Mattia, Joan Drake, Dick Dunn, Peter Eastment, John Eyley, Arthur Filloy, Gail Finkeldei, Hugh Fraser, John Freeman, Luis Garcia, Peter Gardiner, Gerry Grabner, Alan Green, Nicholas Harding, Terry Harrison, Fred Hellmich, Greg Ingram, Aundre Knutson, Rick Leon, Pamela Lofts, Hicks Lokey, Ernesto Lopez, Don McKinnon, Mircea Manta, Paul Maron, John Martin, Helen McAdam, Paul McAdam, Ken Muse, Costi Mustatea, Bob Nesler, Margaret Nichols, Eduardo Olivares, Spencer Peel, Barney Posner, Bill Pratt Vivien, Ray Steve, Robinson, Joanna Romersa, Don Ruch, George Scribner, Kunio Shimamura, Ken Southworth, Jean Tych, John Walker, Milan Zahorsky
- Animation Supervisors
- Chris Cuddington, Jay Sarbry
- Assistant Animation Supervisors
- John Boersma, Martin Chatfield
Voices
- Voice
- Frank Welker (Dirty Dawg), Marshall Efron (Ratso), Matthew Faison (Bullhorn), Marlene Aragon, Joe Baker, Jered Barclay, Michael Bell, Hamilton Camp, Henry Corden, Peter Cullen, Jack DeLeon, Joanie Gerber, Danny Goldman, Bob Holt, Jim McGeorge, Allan Melvin, Don Messick, Robert Allen Ogle, Annie Potts, Paul Ross, Bob Sarlatte, Marilyn Schreffler, Hal Smith, John Stephenson, Lennie Weinrib
Music
- Music
- Hoyt Curtin
- Musical Supervision
- Paul DeKorte
Editing
- Editor
- Gil Iverson
- Supervising Film Editors
- Larry C. Cowan, Robert Ciaglia
Crew
- Story Editors
- Tex Avery, Chuck Couch, Larz Bourne
- Story Direction
- David Barnes, Don Christensen, Tom Dagenais, Don Dougherty, Carl Fallberg, Ed Gombert, Jan Green, Don Jurwich, Earl Kress, Lew Marshall, Floyd Norman, Bob Ogle, Lane Raichert, Mike Rowland, George Singer, Lee Snodgress, Howard Swift, Ernest Terrazas, Tom Yakutis, Darline Zambruski
- Recording Director
- Gordon Hunt
- Animation Casting Director
- Ginny McSwain
- Graphics
- Iraj Paran, Tom Wogatzke
- Title Design
- Bill Perez
- Musical Director
- Hoyt Curtin
- Musical Supervisor
- Paul DeKorte
- Creative Producer
- Iwao Takamoto
- Design Supervisor
- Bob Singer
- Character Design
- Kurt Anderson, Davis Doi, Jean Gilmore, Alice Hamm, Willie Ito, Scott Shaw, Michael Takamoto, Sandra Young
- Layout Supervisors
- Don Morgan, Steve Lumley
- Key Layout
- Gary Hoffman, Floyd Norman, Scott Shaw, John Tucker
- Layouts
- Kurt Anderson, Cosmo Anzilotti, Dale Barnhart, Tom Coppola, Owen Fitzgerald, Bob Fosbury, Drew Gentle, Charles Grosvenor, Dave Hilberman, Mike Hodgson, Ray Jacobs, M. Mike Kawaguchi, Ken Landau, Jack Manning, Greg Martin, Terry Morgan, Mike O'Mara, Lee Orr, Phil Ortiz, Shane Porteous, Linda Rowley, Joe Shearer, Bob Smith, Andrew Szermenyei, Deane Taylor, Cliff Voorhees
- Background Supervisors
- Al Gmuer, Richard Zaloudek
- Backgrounds
- Lorraine Andrina, Fernando Arce, Milena Borkert, Gil Dicicco, Dennis Durrell, Zdenka Ebner, Flamarion Ferreira, Martin Forte, Robert Gentle, Eric Heschong, James Hegedus, Jim Hickey, Paro Hozumi, Michael Humphries, Victoria Jenson, Phil Lewis, Jerry Liew, Beverley McNamara, Michelle Moen, Judy Nicholson, Andy Phillipson, Phil Phillipson, Bill Proctor, Jeff Richards, Jeff Riche, Ron Roesch, Sue Speer, Dennis Venizelos, Ken Wright, Milan Zahorsky, Sr.
- Checking and Scene Planning
- Jackie Banks, Ellen Bayley
- Xerography
- Star Wirth, Sven Christofferson
- Ink and Paint Supervision
- Alison Victory, Narelle Derrick
- Camera
- Roy Wade, Ray Lee, Steve Altman, Shaun Bell, Candy Edwards, Tom Epperson, Chuck Fleckal, Curt Hall, Carole Laird, Liz Lane, Ralph Migliori, Joe Ponticelle, Cliff Shirpser, Paul Wainess, Brandy Whittington, Jerry Whittington
- Technical Supervisors
- Jerry Mills, Mark D'Arcy-Irvine
- Sound Direction
- Richard Olson, Joe Citarella
- Supervising Film Editors
- Larry C. Cowan, Robert Ciaglia
- Dubbing Supervisor
- Pat Foley
- Music Editors
- Cecil Broughton, Daniels McLean, Terry Moore, Robert Talboy
- Effects Editors
- Michael Bradley, Mary Gleason, Catherine MacKenzie, Joe Reitano, Kevin Spears, David Stone
- Show Editor
- Gil Iverson
- Negative Consultant
- William E. DeBoer
- Production Manager
- Jack Pietruska
- Production Supervision
- Judy Cross
- Post Production Supervision
- Joed Eaton
- Executives in Charge of Production
- Jayne Barbera, Margaret Loesch
Companies and other credits
- A
- HANNA-BARBERA
- PRODUCTION
- Copyright © 1981 Hanna-Barbera Productions
- Inc
- All Rights Reserved
Production notes
This was a segment on "The Kwicky Koala Show."
Cartoon pioneer Tex Avery was lured out of retirement in 1979 to create a new cartoon for old colleagues William Hanna and Joseph Barbera. Avery's dream was a return to the unbridled zaniness of his earlier MGM work. His creation was Quicky (later renamed Kwicky) Koala, a zippy little Aussie marsupial who could teleport out of harm's way. Unfortunately, Avery died before his final creation could be launched. The Kwicky Koala Show premiered in 1981, a year after Avery's death, with four weekly segments:
Without Avery's guiding hand, the show lasted only one season on CBS, a final tribute to one of animation's great talents.
Cartoon pioneer Tex Avery was lured out of retirement in 1979 to create a new cartoon for old colleagues William Hanna and Joseph Barbera. Avery's dream was a return to the unbridled zaniness of his earlier MGM work. His creation was Quicky (later renamed Kwicky) Koala, a zippy little Aussie marsupial who could teleport out of harm's way. Unfortunately, Avery died before his final creation could be launched. The Kwicky Koala Show premiered in 1981, a year after Avery's death, with four weekly segments:
Without Avery's guiding hand, the show lasted only one season on CBS, a final tribute to one of animation's great talents.