
The Birdbrain Of Alcatraz
- Studio
- Warner Bros., Nelvana Productions, Geffen Film Company, Tim Burton, Inc
- Animation studio
- Hanho Heung Up Co., Ltd. Wang Film Productions Co., Ltd. Gord Stanfield Animation Inc.
- Distributor
- Warner Bros. Television
Synopsis
Scuzzo frames Beetlejuice for stealing bad jokes, and gets him sent to The Big House. It's up to Lydia to gather up the evidence she needs to spring Beetlejuice-and then to get the Governor to listen to her story. Meanwhile, Beetlejuice copes with afterlife under the disturbingly nurturing watch of Warden June Cleaver.
Characters
Beetlejuice, Lydia Deetz, Delia Deetz, Charles Deetz, Doomie, Bertha, Claire, Lipscum
Credits
Directing
- Director
- John Van Bruggen, Larry Jacobs, John Halfpenny, Rick Marshall, Alan Bunce
- Assistant Directors
- Steve Whitehouse, Gerry Fournier, Jamie Whitney
Producing
- Producer
- Michael Hirsh, Patrick Loubert, Clive A. Smith
- Executive Producers
- Tim Burton, David Geffen
- Supervising Producer
- Leonora Hulm
- Line Producer
- Merle Anna Ridley
- Coordinating Producers
- Stephen Hodgins, Patricia R. Burns
Writing
- Writer
- David Young, J.D. Smith
- Story Editors
- Eric Lewald, J.D. Smith, Michael Edens, Dan Distefano
- Developed By
- Tim Burton
- Producers/Story Editors
- Patsy Cameron, Tedd Anasti
Voices
- Voice
- Stephen Ouimette (Beetlejuice), Alyson Court (Lydia), Roger Dunn (Charles), Elizabeth Hanna (Delia), Tara Charendoff (Bertha, Claire), Harvey Atkin (Lipscum), Len Carlson, Joseph Sherman, Paulina Gillis, Ron Rubin, Keith Knight
Music
- Music
- Acrobat Music
- Theme Song
- Danny Elfman
Animation
- Layout Supervisors
- Dave Pemberton, Dermot Walshe, Peter Ferk, Lyndon Ruddy
- Layout Artists
- Mike Bass, Glen Chadwick, Rob Clark, Suzanne Dargie, Michael Daze, Diane Elliott, George Elliott, Rob Elliott, Greg Hyland, Niall Johnston, Kevin Klis, Luc Latulippe, Steve Manning, Gord McBride, Chris Minz, Frank Ramirez, Rob Sadler, Ron Wilson
- Track Breakdown
- Rick Dubiel
Art Department
- Production Designers
- Ted Bastien, Chris "Gritchy" Labonte
- Storyboard Artists
- Paul Bouchard, Gerry Cappelle, Eric Chu, Drew Edwards, John Flagg, Sebastian Grunstra, Neil Hunter, Frank Lintzen, Vincenzo Natali, Andrea Robbins, Genni Selby, Arna Selznick, Bob Smith, Andrew Tan, John Yee
- Background Artists
- Michael Hitchcox, Kelly Jobson, Clive Powsey, Ruddi Stussy
- Colour Stylists
- Chris Wallace, Karen Chadwick, Jo-Anne Merrill, Carol Bradbury
- Designers
- David Quesnelle, Ross Campbell, Rodney Dunn, Kevin Fraser, Joe Gosselin, Michael McKay, Leif Norheim, Patrick Rowsome, Doug Thoms, Robert Walton, Ian Williams
- Paint Supervisor
- Mary Bertoia
Editing
- Supervising Editor
- Rob Kirkpatrick
- Picture Editors
- Stephanie Duncan, Algis Magiulis
- Pre-Production Editors
- Darrell MacDonald, Clare Bambrough, Stephanie Crawford, Erika Jaudzems, Shelley Mills-Hughes
Sound
- Supervising Sound Editor
- Steven Cole
Casting
- Casting
- Jessie Thomson
- Voice Director
- Dan Hennessey
- Casting Consultant
- Arlene Berman
Production Management
- Production Supervisor
- Steve Chadwick
- Production Coordinator
- Hasmi Giakoumis
- Unit Managers
- Tyler Baylis, Greg Court, Brad Goodchild, Al Jeffrey, Kokila Jeffrey, Kevin McDonagh
- Post Coordinators
- Eileen Graham, Lan Lamon
Crew
- Main Title
- Robin Budd
- Consultants
- Larry Wilson, Michael Bender
- Program Executive
- Stanford Blum
- Technician
- Mike Reid
- Additional Production Facilities
- Hanho Heung Up Co
Companies and other credits
- Mixed Media: Calibre Digital Pictures
- Sound Editing Services: Multitrack Digital Inc
- Post Production Services: The Filmhouse Group
- Post Production Services: Medallion-Pea Film & Video
- Post Production Services: Catherine Rankin Productions
- Additional Production Facilities: Ltd. Wang Film Productions Co
- Additional Production Facilities: Ltd. Gord Stanfield Animation Inc
- © 1991 Geffen Pictures
- All Rights Reserved
- Produced In Association With Tim Burton Inc
Production notes
This half-hour Saturday-morning cartoon was inspired by the 1988 Tim Burton film, starring Michael Keaton as the title character. In the film, Beetlejuice was a conniving ghoul desperate to escape his world and wreak havoc in the world of the living. He was especially enamored with the young heroine of the film, Lydia, played by Winona Ryder. The action of the film reached its peak when Beetlejuice tried to force Lydia into marriage, thereby making him a legal resident of the living world.
The cartoon was a bit milder but just a bit. In the animated version Lydia had more of a niece-uncle relationship with the dead man, and most of their adventures took place in the "Netherworld." Beetlejuice would drag the young girl along to visit with his spooky friends, Jacques LaLean (a fitness-obsessed skeleton), Doomie the Dogbrained Car and The Sappy Face Ghouls (a sort of evil scout troop).
This cartoon was a huge success, due largely to the involvement of Burton himself as executive producer. Keeping the same outlandish humor and gross-out jokes that made the movie such a hit, the cartoon was welcomed by kids young and old.
One truly groundbreaking segment of the show was the mixed-media "commercials" that Beetlejuice watched on his TV. Using computer-generated animation, the ads, which featured pitchman Barry Menot, were an assault of colors and images.
The successful cartoon ran for two seasons on ABC's Saturday morning before moving onto the daily Fox schedule with all-new episodes, where it became even more popular.
The cartoon was a bit milder but just a bit. In the animated version Lydia had more of a niece-uncle relationship with the dead man, and most of their adventures took place in the "Netherworld." Beetlejuice would drag the young girl along to visit with his spooky friends, Jacques LaLean (a fitness-obsessed skeleton), Doomie the Dogbrained Car and The Sappy Face Ghouls (a sort of evil scout troop).
This cartoon was a huge success, due largely to the involvement of Burton himself as executive producer. Keeping the same outlandish humor and gross-out jokes that made the movie such a hit, the cartoon was welcomed by kids young and old.
One truly groundbreaking segment of the show was the mixed-media "commercials" that Beetlejuice watched on his TV. Using computer-generated animation, the ads, which featured pitchman Barry Menot, were an assault of colors and images.
The successful cartoon ran for two seasons on ABC's Saturday morning before moving onto the daily Fox schedule with all-new episodes, where it became even more popular.
