
Worm Welcome
- Studio
- Warner Bros., Nelvana Productions, Geffen Film Company, Tim Burton, Inc
- Animation studio
- Wang Film Productions Co., Ltd
- Distributor
- Warner Bros. Television
Synopsis
Beetlejuice has a run-in with a newly-hatched Sandworm, and Lydia accidentally calls him out of the Netherworld while he's in contact with it, so they both teleport to the Outerworld. While the Netherworld locals think that Beetlejuice is responsible for banishing the Sandworm and dub him a hero, the baby Sandworm is now in danger from a pair of human hunters. As much as Beetlejuice hates Sandworms, can Lydia ever convince him to help save its life?
Characters
Beetlejuice, Lydia Deetz, Delia Deetz, Charles Deetz, Doomie, Bertha, Claire, Lipscum
Credits
Directing
- Director
- Robin Budd
- Unit Director
- Rick Marshall
- Assistant Director
- Joseph Sherman
Producing
- Producer
- Michael Hirsh, Patrick Loubert, Clive A. Smith
- Executive Producers
- Tim Burton, David Geffen
- Supervising Producer
- Leonora Hulm
- Line Producer
- Stephen Hodgins
- Coordinating Producers
- Stephen Hodgins, Patricia R. Burns
Writing
- Writer
- Tony Marino
- Story Editors
- Patsy Cameron, Tedd Anasti
- Developed By
- Tim Burton
- Assistant To The Story Editors
- Julianne Klemm
Voices
- Voice
- Stephen Ouimette (Beetlejuice), Alyson Court (Lydia), Roger Dunn (Charles), Elizabeth Hanna (Delia), Tara Charendoff (Bertha, Claire), Len Carlson, Elizabeth Hanna, Robert Cait, Ray Landry, Keith Hampshire, Ron Hubin, Paulina Gillis, John Stocker, Joseph Sherman, Coolin Fox, Dan Hennessey
Music
- Music
- Acrobat Music
- Theme Song
- Danny Elfman
Animation
- Key Animators
- Gerry Fournier, Greg Hill, Niall Johnson, Scott Glynn, Gary Hurst, Rick Marshall
- Clean-Up Artists
- Brian Lee, Gerry Fournier, Richard Forg, Doug Thoms
- Layout Supervisors
- John Van Bruggen, Dave Femberton, Mark Marren
- Layout Artists
- Richard Dannys, Dale Desrochers, Jeff Dickson, George Elliot, Peggy Hawley, Kevin Klis, Frank Lantzen, Gord McBride, Scott Bennett, Glenn Chadwick, Tony Iacobelli, Mary Lyons, Chris Minz, Tim O'Halloran, Genevieve Selby, Arna Selznick, Andrew Tan, Dermot Walshe, John Yee, Shane Zalvin, Bradley Markewitz, Kenneth B. Morrissey, Hirgitta Peillanen, Lyndon Ruddy, Rob Sadler
- Layout Coordinator
- Karyn Booth-Chadwick
- Track Breakdown Editors
- Ken Huribu, Ken Bruinsama, Mark Grosick
Art Department
- Production Designers
- Ted Bastien, Chris Labonte, Glen Hanson
- Art Director
- John Halfpenny
- Storyboard Artists
- John Flagg, Bill Perkins, Raymond Jafelice, Eric Chu, Alan Bunce, Keith Ingham, Neil Hunter
- Designers
- Cynthia Ward, Diane Hare, Andrew Hickson, Leif Norheim, Dave Quesnelle, Richard Forg
- Background Stylist
- Michael Hitchcox
- Paint Supervisor
- Mary Eklund
- Painters
- Sarita Baker, Sherry Cohen, Jennifer Hibbard, Borena Klichta, Nassarim Monhem
Editing
- Editor
- Rob Kirkpatrick (Supervising Editor)
- Supervising Editor
- Rob Kirkpatrick
- Assistant Editor
- Erica Jandzens
- Picture Editors
- Richard Bond, Karen Sanders
- Pre-Production Editor
- Darrell MacDonald
- Negative Cutter
- Catherine Rankin
Sound
- Sound Effects Editors
- Eric Huribut, Glenn Barna, John Bakris, Bruce Robb
- Sound Effects Supervisor
- Mac Holyoke
- Dialogue Editors
- Keith Traver, Sheila Murray, Stephanie Crawford, Sue Conley
- Recording Engineer
- Vic Pyle
Music Department
- Music Editors
- Stephen Hudecki, Peter Branson, Brian Frazer
- Score Composed And Produced By
- Acrobat Music
Casting
- Casting
- Arlene Berman
- Voice Director
- Robin Budd
- Recording/Casting Assistant
- Merle Anne Ridley
Production Management
- Production Manager
- Steve Chadwick
- Production Supervisor
- Patricia Burns
- Production Coordinator
- Hasmi Giakoumis
- Executive In Charge Of Production For Nelvana Entertainment
- Stanford Blum
- Unit Manager
- Richard Pimm
- Design Coordinator
- Mitch Nadon
- Production Assistants
- H.H. Steve Bissonnette, Marc-Andre Bourgoin, Kevin Closs, Paul Hogarth, Craig Marshall, Atul Rao, John Sanders, Kevin Smith, Erika Strobel
- Assistants To The Producers
- Mike Klein, Kate Martin
- Post Production Coordinator
- Heidi Rotter
Crew
- Consultants
- Michael Bender, Larry Wilson
- Recording/Transfer Technicians
- Mike Reid, Boris Altshtater
- Laboratory Services Supplied By
- Sound Interchange, Eastern Sound, Ansara Aindustries, Manta Sound, Multitrack
- Theme By
- Danny Elfman
Companies and other credits
- Laboratory Services Supplied By: The Command Post & Transfer Group
- Laboratory Services Supplied By: The Film House Group
- Mixed Media Segments By: Calibre Digital Design Inc
- Additional Production Facility: Wang Film Productions Co
- Additional Production Facility: Ltd
- © 1989 The Geffen Film Company
- All Rights Reserved
- The Geffen Film Company Is The Author Of This Production For The Purposes Of Copyright And Other Laws
- Produced In Association With
- The Geffen Film Company
- And Tim Burton Inc
Production notes
This half-hour Saturday-morning cartoon was inspired by the 1988 Tim Burton film, starring Michael Keaton as the title character. In the film, Beetlejuice was a conniving ghoul desperate to escape his world and wreak havoc in the world of the living. He was especially enamored with the young heroine of the film, Lydia, played by Winona Ryder. The action of the film reached its peak when Beetlejuice tried to force Lydia into marriage, thereby making him a legal resident of the living world.
The cartoon was a bit milder but just a bit. In the animated version Lydia had more of a niece-uncle relationship with the dead man, and most of their adventures took place in the "Netherworld." Beetlejuice would drag the young girl along to visit with his spooky friends, Jacques LaLean (a fitness-obsessed skeleton), Doomie the Dogbrained Car and The Sappy Face Ghouls (a sort of evil scout troop).
This cartoon was a huge success, due largely to the involvement of Burton himself as executive producer. Keeping the same outlandish humor and gross-out jokes that made the movie such a hit, the cartoon was welcomed by kids young and old.
One truly groundbreaking segment of the show was the mixed-media "commercials" that Beetlejuice watched on his TV. Using computer-generated animation, the ads, which featured pitchman Barry Menot, were an assault of colors and images.
The successful cartoon ran for two seasons on ABC's Saturday morning before moving onto the daily Fox schedule with all-new episodes, where it became even more popular.
The cartoon was a bit milder but just a bit. In the animated version Lydia had more of a niece-uncle relationship with the dead man, and most of their adventures took place in the "Netherworld." Beetlejuice would drag the young girl along to visit with his spooky friends, Jacques LaLean (a fitness-obsessed skeleton), Doomie the Dogbrained Car and The Sappy Face Ghouls (a sort of evil scout troop).
This cartoon was a huge success, due largely to the involvement of Burton himself as executive producer. Keeping the same outlandish humor and gross-out jokes that made the movie such a hit, the cartoon was welcomed by kids young and old.
One truly groundbreaking segment of the show was the mixed-media "commercials" that Beetlejuice watched on his TV. Using computer-generated animation, the ads, which featured pitchman Barry Menot, were an assault of colors and images.
The successful cartoon ran for two seasons on ABC's Saturday morning before moving onto the daily Fox schedule with all-new episodes, where it became even more popular.
