
Spooky Tree
- Studio
- Warner Bros., Nelvana Productions, Geffen Film Company, Tim Burton, Inc
- Animation studio
- Wang Film Productions Co., Ltd
- Distributor
- Warner Bros. Television
Synopsis
Lydia's favorite tree, Spooky, is slated to be cut down so the road can be widened. Beetlejuice, in a fit of generosity, grants Spooky with the gift of locomotion, allowing the tree to run rampant through the town. Finally, kind-hearted Spooky is replanted somewhere he can be really happy.
Characters
Beetlejuice, Lydia Deetz, Delia Deetz, Charles Deetz, Doomie, Bertha, Claire, Lipscum
Credits
Directing
- Director
- Robin Budd
- Assistant Director
- Joseph Sherman
Producing
- Producer
- Michael Hirsh, Patrick Loubert, Clive A. Smith
- Executive Producers
- Tim Burton, David Geffen
- Supervising Producer
- Leonora Hulm
- Coordinating Producers
- Stephen Hodgins, Patricia R. Burns
- Line Producer
- Stephen Hodgins
Writing
- Writer
- Mike Keyes
Voices
- Voice
- Stephen Ouimette (Beetlejuice), Alyson Court (Lydia), Roger Dunn (Charles), Elizabeth Hanna (Delia), Tara Charendoff (Bertha, Claire), Len Carlson, Elizabeth Hanna, Robert Cait, Ray Landry, Keith Hampshire, Ron Hubin, Paulina Gillis, John Stocker, Joseph Sherman, Coolin Fox, Dan Hennessey
Music
- Music
- Acrobat Music
- Theme Song
- Danny Elfman
Editing
- Editor
- Rob Kirkpatrick (Supervising Editor)
Crew
- Executive In Charge Of Production For Nelvana Entertainment
- Stanford Blum
- Story Editors
- Patsy Cameron, Tedd Anasti
- Developed By
- Tim Burton
- Consultants
- Michael Bender, Larry Wilson
- Casting
- Arlene Berman
- Recording/Casting Assistant
- Merle Anne Ridley
- Voice Director
- Robin Budd
- Art Director
- John Halfpenny
- Production Designers
- Ted Bastien, Chris Labonte, Glen Hanson
- Unit Manager
- Richard Pimm
- Unit Director
- Rick Marshall
- Production Supervisor
- Patricia Burns
- Production Manager
- Steve Chadwick
- Production Coordinator
- Hasmi Giakoumis
- Assistant To The Story Editors
- Julianne Klemm
- Storyboard Artists
- John Flagg, Bill Perkins, Raymond Jafelice, Eric Chu, Alan Bunce, Keith Ingham, Neil Hunter
- Clean-Up Artists
- Brian Lee, Gerry Fournier, Richard Forg, Doug Thoms
- Layout Supervisors
- John Van Bruggen, Dave Femberton, Mark Marren
- Layout Artists
- Richard Dannys, Dale Desrochers, Jeff Dickson, George Elliot, Peggy Hawley, Kevin Klis, Frank Lantzen, Gord McBride, Scott Bennett, Glenn Chadwick, Tony Iacobelli, Mary Lyons, Chris Minz, Tim O'Halloran, Genevieve Selby, Arna Selznick, Andrew Tan, Dermot Walshe, John Yee, Shane Zalvin, Bradley Markewitz, Kenneth B. Morrissey, Hirgitta Peillanen, Lyndon Ruddy, Rob Sadler
- Layout Coordinator
- Karyn Booth-Chadwick
- Key Animators
- Gerry Fournier, Greg Hill, Niall Johnson, Scott Glynn, Gary Hurst, Rick Marshall
- Designers
- Cynthia Ward, Diane Hare, Andrew Hickson, Leif Norheim, Dave Quesnelle, Richard Forg
- Design Coordinator
- Mitch Nadon
- Background Stylist
- Michael Hitchcox
- Paint Supervisor
- Mary Eklund
- Painters
- Sarita Baker, Sherry Cohen, Jennifer Hibbard, Borena Klichta, Nassarim Monhem
- Production Assistants
- H.H. Steve Bissonnette, Marc-Andre Bourgoin, Kevin Closs, Paul Hogarth, Craig Marshall, Atul Rao, John Sanders, Kevin Smith, Erika Strobel
- Assistants To The Producers
- Mike Klein, Kate Martin
- Supervising Editor
- Rob Kirkpatrick
- Post Production Coordinator
- Heidi Rotter
- Sound Effects Supervisor
- Mac Holyoke
- Picture Editors
- Richard Bond, Karen Sanders
- Assistant Editor
- Erica Jandzens
- Dialogue Editors
- Keith Traver, Sheila Murray, Stephanie Crawford, Sue Conley
- Sound Effects Editors
- Eric Huribut, Glenn Barna, John Bakris, Bruce Robb
- Music Editors
- Stephen Hudecki, Peter Branson, Brian Frazer
- Pre-Production Editor
- Darrell MacDonald
- Track Breakdown Editors
- Ken Huribu, Ken Bruinsama, Mark Grosick
- Recording/Transfer Technicians
- Mike Reid, Boris Altshtater
- Recording Engineer
- Vic Pyle
- Negative Cutter
- Catherine Rankin
- Laboratory Services Supplied By
- Sound Interchange, Eastern Sound, Ansara Aindustries, Manta Sound, Multitrack
- Theme By
- Danny Elfman
- Score Composed And Produced By
- Acrobat Music
Companies and other credits
- Laboratory Services Supplied By: The Command Post & Transfer Group
- Laboratory Services Supplied By: The Film House Group
- Mixed Media Segments By: Calibre Digital Design Inc
- Additional Production Facility: Wang Film Productions Co
- Additional Production Facility: Ltd
- © 1989 The Geffen Film Company
- All Rights Reserved
- The Geffen Film Company Is The Author Of This Production For The Purposes Of Copyright And Other Laws
- Produced In Association With
- The Geffen Film Company
- And Tim Burton Inc
Production notes
This half-hour Saturday-morning cartoon was inspired by the 1988 Tim Burton film, starring Michael Keaton as the title character. In the film, Beetlejuice was a conniving ghoul desperate to escape his world and wreak havoc in the world of the living. He was especially enamored with the young heroine of the film, Lydia, played by Winona Ryder. The action of the film reached its peak when Beetlejuice tried to force Lydia into marriage, thereby making him a legal resident of the living world.
The cartoon was a bit milder but just a bit. In the animated version Lydia had more of a niece-uncle relationship with the dead man, and most of their adventures took place in the "Netherworld." Beetlejuice would drag the young girl along to visit with his spooky friends, Jacques LaLean (a fitness-obsessed skeleton), Doomie the Dogbrained Car and The Sappy Face Ghouls (a sort of evil scout troop).
This cartoon was a huge success, due largely to the involvement of Burton himself as executive producer. Keeping the same outlandish humor and gross-out jokes that made the movie such a hit, the cartoon was welcomed by kids young and old.
One truly groundbreaking segment of the show was the mixed-media "commercials" that Beetlejuice watched on his TV. Using computer-generated animation, the ads, which featured pitchman Barry Menot, were an assault of colors and images.
The successful cartoon ran for two seasons on ABC's Saturday morning before moving onto the daily Fox schedule with all-new episodes, where it became even more popular.
The cartoon was a bit milder but just a bit. In the animated version Lydia had more of a niece-uncle relationship with the dead man, and most of their adventures took place in the "Netherworld." Beetlejuice would drag the young girl along to visit with his spooky friends, Jacques LaLean (a fitness-obsessed skeleton), Doomie the Dogbrained Car and The Sappy Face Ghouls (a sort of evil scout troop).
This cartoon was a huge success, due largely to the involvement of Burton himself as executive producer. Keeping the same outlandish humor and gross-out jokes that made the movie such a hit, the cartoon was welcomed by kids young and old.
One truly groundbreaking segment of the show was the mixed-media "commercials" that Beetlejuice watched on his TV. Using computer-generated animation, the ads, which featured pitchman Barry Menot, were an assault of colors and images.
The successful cartoon ran for two seasons on ABC's Saturday morning before moving onto the daily Fox schedule with all-new episodes, where it became even more popular.
