
Clumsy Luck
- Studio
- Hanna-Barbera Studios, SEPP International
- Animation studio
- Wang Film Productions Co., Ltd
Synopsis
Clumsy proves how lucky he really is when he escapes a meteor that crashed into his house.
Characters
Azrael, Brainy Smurf, Clumsy Smurf, Dame Barbara, Gargamel, Greedy Smurf, Grouchy Smurf, Handy Smurf, Harmony Smurf, Hefty Smurf, Jokey Smurf, Lazy Smurf, Mother Nature, Papa Smurf, Sleepy Smurf, Smurfette, Vanity Smurf
Credits
Directing
- Director
- Oscar Dufau, George Gordon, Carl Urbano, John Walker, Rudy Zamora
- Supervising Director
- Ray Patterson
- Assistant Directors
- Bob Goe, Bill Hutten, Tony Love, Don Lusk, Ann Tucker
Producing
- Producer
- Gerard Baldwin
- Executive Producers
- William Hanna, Joseph Barbera
- Associate Producer
- Bob Hathcock
Writing
- Writer
- Creighton Barnes, John Bates, John Bonaccorsi, Doug Booth, Alan Burnett, Patsy Cameron, Claire Geber, William Halsley, Catherine Johnson, Richard Kandrey, Ted Pederson, Michael Reaves (as J. Michael Reaves), Jeff Segal, David Villaire, Marc Scott Zicree
- Supervising Story Editor
- Gerard Baldwin
- Story Editors
- Patsy Cameron, Tedd Anasti
- Stories Supervised And Based Upon Concepts By
- Peyo, Yvan Delporte
Animation
- Animator
- Robert Alvarez, Frank Andrina, Tom Barnes, Bob Bemiller, Lefty Callahan, Rudy Cataldi, Daniel De La Vega, Joan Drake, Jim Duffy, David Feiss, Hugh Fraser, Jeff Hall, Bill Hutten, Ken Kessel, Bob Kirk, Rick Leon, Hicks Lokey, Ernesto Lopez, Ed Love, Tony Love, Ken Muse, Ron Myrick, Margaret Nichols, Kevin Petrilak, Virgil Ross, Bob Shellhorn, Ken Southworth, Tim Walker, Alan Wilzbach
- Animation Supervisors
- Jay Sarbry, Jaime Diaz, Don Patterson, Roger Chiasson, Sean Newton, Don Spencer
- Assistant Animation Supervisor
- Joanna Romersa
Voices
- Voice
- Don Messick (Azrael, Papa, Sleepy), William Callaway (Clumsy), Linda Gary (Dame Barbara), Michael Bell (Grouchy, Handy, Lazy), Hamilton Camp (Harmony, Greedy), June Foray (Jokey, Mother Nature), Lucille Bliss (Smurfette), Alan Oppenheimer (Vanity), Paul Kirby (Narrator), Jack Angel, Jered Barclay, Philip Clarke, Peter Cullen, Keene Curtis, Julie Dees, Walker Edmiston, Joanie Gerber, Danny Goldman, Bob Holt, Kip King, Allan Lurie, Larry Moss, Phil Proctor, Hal Smith, Russi Taylor, Janet Waldo, Peggy Webber, Lennie Weinrib, Frank Welker, Alan Young
Music
- Music
- Hoyt Curtin
- Musical Supervisor
- Paul DeKorte
Editing
- Editor
- Gil Iverson
- Supervising Film Editor
- Larry C. Cowan
Crew
- Story Direction
- Ron Campbell, George Cannata, Bob Curtis, Larry Latham
- Recording Director
- Gordon Hunt
- Animation Casting Director
- Ginny McSwain
- Title
- Gerard Baldwin, Bob Hatcock
- Graphics
- Iraj Paran, Tom Wogatzke
- Creative Producer
- Iwao Takamoto
- Design Supervisor
- Bob Singer
- Character Design
- Davis Doi, Chis Otsuki
- Layout Supervisor
- Charles Grosvenor
- Key Layout
- Terry Lee Keil
- Layout
- Margaret Parkes, Jaime Diaz, Nancy Avery, Christopher Boyer, Tom Coppola, Andrew Gentle, Carol Holman, Mark Hubley, Terry Hudson, Raymond Jacobs, Karenia Kaminski, M. Mike Kawaguchi, Ken Landau, D.T. Lavercombe, Michael Maliani, Greg Martin, Alex McCrae, Jim Mueller, Phil Normand, David O'Day, Michael O'Mara, John Perry, Jean Perry, Shan Price, Rick Rouse, Linda Rowley, Dean Thompson, James Wahlberg, Roy Wilson
- Background Supervisor
- Al Gmuer
- Backgrounds
- Lorraine Andrina, Fernando Arce, Robert Gentle, Martin Forte, Jonathon Goley, Bonnie Goodknight, Phil Lewis, Andrew Phillipson, Bill Proctor, Ron Roesch, Gloria Wood
- Checking And Scene Planning
- Paul B. Strickland
- Xerography
- Star Wirth
- Ink And Paint Supervisor
- Alison Victory
- Sound Direction
- Alvy Dorman, Phil Flad
- Technical Supervision
- Jerry Mills
- Camera
- Steve Altman, Curtis Hall, Bob Marples, Ralph Migliori, Joe Ponticelle, Roy H. Wade, Jerry Whittington
- Dubbing Supervisor
- Pat Foley
- Music Editors
- Cecil Broughton, Daniels McLean, Joe Sandusky
- Effects Editors
- Michael Bradley, David Cowan, Catherine MacKenzie, Kerry Williams, Jerry Winicki
- Negative Consultant
- William E. DeBoer
- Post Production Supervisor
- Joed Eaton
- Production Coordinator
- Peter Aries
- Production Manager
- James Wang
- Production Assistant
- Robin Carmichael
- Executives In Charge Of Production
- Jayne Barbera, Margaret Loesch
Companies and other credits
- A
- HANNA-BARBERA
- PRODUCTION
- In Association With
- Copyright © 1983 Hanna-Barbera Productions
- Inc. And Sepp International
- Smurfs Is A Registered Trademark Of Sepp International
Production notes
Proving that we indeed are a one-world community, NBC president Fred Silverman bought the rights to the Flemish created characters known as the Smurfs and turned them into one of the most successful and smurfiest cartoons ever to hit the air. Created by cartoonist Peyo Culliford in 1957, the Smurfs (called Schtroumpfs in their homeland) had already become popular as American toys when Silverman got the idea of turning the little blue guys into a bunch of big green.
The Smurfs were a group of over 100 dark blue, three-apple tall humanoids who lived in the mushroom homes of Smurf Village. They were led by 543-year-old Papa Smurf (who didn't look a day over 530). Their lives would have been perfect were it not for the villainous Gargamel, a wizard who spent his days trying to capture the wee creatures. Gargamel's cat Azrael added to the menace, always looking for a smurfalicious snack.
The single-emotioned Smurfs-including Brainy, Jokey, Vanity, Grouchy and Clumsy-were later joined by Grandpa Smurf and five Smurflings, who went back in time to become youngsters. Gargamel, too, got a friend in the form of the unscrupulous Scruple.
In 1982 the Culliford characters Johan and his aide Peewit ("Peewee" to U.S. kids) were given their own segments during the expanded, 90-minute Smurfs, but the two humans simply weren't as smurfy as their tiny friends, and thus did not last.
Despite its incredible popularity, The Smurfs actually encountered some controversy. Some adults considered the show quite sexist in its use of the one original female character, Smurfette, who was created by Gargamel as a way to fool the other Smurfs. In reaction to the criticism, the siren was changed into a sweetie via some Papa Smurf magic, and later seasons brought further Smurf femmes like Sassette.
Perhaps the most memorable feature of the show was the use of the word "smurf" in every possible tense and construction. For instance, it wouldn't be unusual to hear a Smurf remark something like, "It's such a smurfy day, I think I'll go smurfing in Lake Smurf."
In any case, the show won two Emmys as Outstanding Children's Entertainment Series and, in 1987, actually did a message episode. In an anti-drug show, Poet Smurf became addicted after rubbing a witch's magic orb, requiring the help of Papa and the gang to overcome his problem.
The Smurfs hit the silver screen in 1984 with La Flûte à Six Schtroumpfs (The Smurfs and the Magic Flute). The film was actually a dubbed version of an older Belgian Schtroumpfs feature, and our teeny weeny heroes didn't even appear until a ways in. The film flopped, but the cartoon continued to rule Saturday morning for the better part of the decade.
In 1989, in an attempt to save the nearly decade-old show, the producers had the Smurfs leaving Smurf Village to visit various times and locations. Fans were smurfed off. The show was cancelled after that season, surviving only in the syndicated package titled The Smurfs' Adventures.
The Smurfs were a group of over 100 dark blue, three-apple tall humanoids who lived in the mushroom homes of Smurf Village. They were led by 543-year-old Papa Smurf (who didn't look a day over 530). Their lives would have been perfect were it not for the villainous Gargamel, a wizard who spent his days trying to capture the wee creatures. Gargamel's cat Azrael added to the menace, always looking for a smurfalicious snack.
The single-emotioned Smurfs-including Brainy, Jokey, Vanity, Grouchy and Clumsy-were later joined by Grandpa Smurf and five Smurflings, who went back in time to become youngsters. Gargamel, too, got a friend in the form of the unscrupulous Scruple.
In 1982 the Culliford characters Johan and his aide Peewit ("Peewee" to U.S. kids) were given their own segments during the expanded, 90-minute Smurfs, but the two humans simply weren't as smurfy as their tiny friends, and thus did not last.
Despite its incredible popularity, The Smurfs actually encountered some controversy. Some adults considered the show quite sexist in its use of the one original female character, Smurfette, who was created by Gargamel as a way to fool the other Smurfs. In reaction to the criticism, the siren was changed into a sweetie via some Papa Smurf magic, and later seasons brought further Smurf femmes like Sassette.
Perhaps the most memorable feature of the show was the use of the word "smurf" in every possible tense and construction. For instance, it wouldn't be unusual to hear a Smurf remark something like, "It's such a smurfy day, I think I'll go smurfing in Lake Smurf."
In any case, the show won two Emmys as Outstanding Children's Entertainment Series and, in 1987, actually did a message episode. In an anti-drug show, Poet Smurf became addicted after rubbing a witch's magic orb, requiring the help of Papa and the gang to overcome his problem.
The Smurfs hit the silver screen in 1984 with La Flûte à Six Schtroumpfs (The Smurfs and the Magic Flute). The film was actually a dubbed version of an older Belgian Schtroumpfs feature, and our teeny weeny heroes didn't even appear until a ways in. The film flopped, but the cartoon continued to rule Saturday morning for the better part of the decade.
In 1989, in an attempt to save the nearly decade-old show, the producers had the Smurfs leaving Smurf Village to visit various times and locations. Fans were smurfed off. The show was cancelled after that season, surviving only in the syndicated package titled The Smurfs' Adventures.

