
The Piranha Plot
- Studio
- Hanna-Barbera Studios
Synopsis
Biff books the group on a tanker to Amsteraqua after another gig falls through, this being the cheapest way to go straight there. The Piranha has designs on ruling the Underwater States of America and captures the tanker for its load of special rocket fuel. The Neptune's scuttle the Piranha's rocket practically dismantling the control center and messing with the rocket's fuel delivery system. Jabber manages to launch the rocket accidentally to a different destination, with its cargo of sleep dust.
Characters
JabberJaw, Clamhead, Bubbles, Shelly, Biff, The Piranha
Credits
Directing
- Director
- William Hanna, Joseph Barbera
- Animation Director
- Charles Nichols (as Charles A. Nichols)
Producing
- Producer
- William Hanna, Joseph Barbera (Executive Producers)
- Associate Producer
- Alex Lovy
- Creative Producer
- Iwao Takamoto
Writing
- Writer
- George Atkins, Haskell Barkin, John Bates, Larz Bourne, Tom Dagenais, Robert Fisher
- Story Editor
- Ray Parker
Animation
- Animator
- Frank Andrina, Tom Barnes, Bill Carney, Rudy Cataldi, Lillian Evans, Otto Feuer, Hugh Fraser, Fernando Gonzalez, Jack Hadley, Bob Hathcock, Dan Mills, Ken Muse, Constantin Mustatea, Floyd Norman, Eduardo Olivares, Don Patterson, Tom Ray, Morey Reden, Lenn Redman, Ken Southworth, Leo Sullivan, Dick Thompson, Carlo Vinci, Russ Von Neida
Voices
- Voice
- Frank Welker (Jabberjaw), Tommy Cook (Biff), Pat Parris (Shelly), Julie McWhirter (Bubbles), Barry Gordon (Clamhead), Regis Cordic, Ron Feinberg, Gay Hartwig, Hettie Lyn Hurtes, Casey Kasem, Keye Luke, Don Messick, Vic Perrin, Barney Phillips, Hal Smith, John Stephenson, Janet Waldo, Lennie Weinrib
Music
- Music
- Hoyt Curtin
- Musical Supervisor
- Paul DeKorte
Editing
- Editor
- Larry Cowan
Crew
- Created by
- Joe Ruby, Ken Spears
- Storyboard Director
- Don Jurwich, Michael O'Connor, Paul Sommer, Kay Wright
- Recording Director
- Alex Lovy
- Production Supervisor
- Victor O. Schipek
- Graphics
- Iraj Paran
- Creative Design Supervision
- Bob Singer
- Character Design
- Donna Zeller
- Unit Director
- Volus Jones
- Layout
- Mike Arens, Dale Barnhart, Hak Ficq, C.L. Hartman, Alex Ignatiev, Ray Jacobs, Homer Jonas, Bill Lignante, Jim Mueller, Tony Rivera, Linda Rowley, Tony Sgrol, Al Wilson
- Backgrounds
- Fernando Arce, F. (Fernando) Montealegre, Phil Phillipson, Robert Schaefer, Marilyn Shimokochi, Dennis Venizelos
- Technical Supervision
- Frank Pakier
- Checking and Scene Planning
- Evelyn Sherwood
- Ink And Paint Supervision
- Billie Kearns
- Xerography
- Star Wirth
- Sound Direction
- Bill Getty, Richard Olson
- Music Editor
- Pat Foley, Chip Yaras
- Effects Editor
- Richard Allen, Terry Moore
- Negative Consultant
- William E. DeBoer
- Post-Production Supervision
- Joed Eaton
- Production Manager
- Jayne Barbera
- Camera
- George Epperson, Charles Flekal, Curt Hall, Ron Jackson, Jerry Smith, Norman Stainback, Roy Wade
Companies and other credits
- A HANNA-BARBERA PRODUCTION
- © 1976 Hanna-Barbera Productions
- Inc
- Inc
Production notes
In the year 2076, a group of teenagers, as teenagers often do, formed a band. They called themselves The Neptunes, with Biff on guitar, Shelly on tambourine, Bubbles on piano, and Clam-Head on cello. Not getting the sound they wanted, the band was faced with difficult questions: Where are we going to play? Do we need a drummer? and, perhaps most importantly, Why is there a cello in our rock band? Deciding to tackle the drummer issue first, they turned to their good friend Jabberjaw.
Jabberjaw brought several things to the table. Aside from the fact that he was a terrific drummer, he was very funny. That would come in handy during those lonely nights on the road. He was also a real shark at the negotiating table. As a matter of fact, he was a real shark everywhere. A great white, to be exact. The band now complete, The Neptunes would ride in the Aquacar to their concert dates, playing bubblegum pop tunes and inexplicably getting mixed up with criminals in nearly every episode.
Jabberjaw constantly whined about getting no respect, a trademark of comedian Rodney Dangerfield, yet his voice and mannerisms were eerily reminiscent of Curly from The Three Stooges.
The show ran for two seasons, the second of which was composed entirely of repeats. The shark himself reappeared later in the decade as a competitor on Scooby's All-Star Laff-A-Lympics.
Jabberjaw brought several things to the table. Aside from the fact that he was a terrific drummer, he was very funny. That would come in handy during those lonely nights on the road. He was also a real shark at the negotiating table. As a matter of fact, he was a real shark everywhere. A great white, to be exact. The band now complete, The Neptunes would ride in the Aquacar to their concert dates, playing bubblegum pop tunes and inexplicably getting mixed up with criminals in nearly every episode.
Jabberjaw constantly whined about getting no respect, a trademark of comedian Rodney Dangerfield, yet his voice and mannerisms were eerily reminiscent of Curly from The Three Stooges.
The show ran for two seasons, the second of which was composed entirely of repeats. The shark himself reappeared later in the decade as a competitor on Scooby's All-Star Laff-A-Lympics.
