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La Misery

La Misery

La Misery (1998) Season 1 Episode 119-C- Power Pooch Cartoon Episode Guide La Misery

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DiC Entertainment, Les Studios Tex Phil Hayes, Lee Tockar Daniel Schwall Janice Sonski, Andy Heyward, Michael Maliani, Robby London, Eddie Fitzpatrick, Michael Fountleroy, Michelle Blaya Jean-Michel Guirao
  • 1998
  • DiC Entertainment, Les Studios Tex
  • Power Pooch Episode Guide
  • Cartoon Characters: Power Pooch, Little Buddy, Dr. Hydrant.
  • Vocal Talent: Phil Hayes (Power Pooch), Lee Tockar (Little Buddy).
  • Directed By Daniel Schwall.
  • Produced By Janice Sonski.
    Executive Producers: Andy Heyward, Michael Maliani, Robby London.
    Co-Producers: Eddie Fitzpatrick, Michael Fountleroy.
    Senior Producer: Janice Sonski.
    Associate Producer: Michelle Blaya.

Additional Crew:



  • Creator: Brody Dowler.
  • Story Editors: Jymn Magon, Henry Gilroy, Jeffrey Scott.
  • Voice Director: Michel Trouillet.
  • Voices: Philippe Bozo, Michel Doris, Eric Etcheverry, Emmanuel Fouquet, Olivier Granier, Daniele Hazan, Oliver Jancovic, Mara Labadens, Patricia Legrand, Mimi Young.
  • Script Supervisors: Lori Anderson, Daniel Schwall.
  • Script Assistants: William A. Ruiz, Patrick Boylan, Michael Walsh.
  • Character Designs: Shane Donahue, David Mucci Fassett, Pierre-Alain Blcoh, Valerie Hadida.
  • Prop Design: Ramal Aitmihoub, Daieb Bourass, Vincent Mommeja, Jose Antonio-Garcia Villameriel.
  • Background Design: Nicolas Dorsemaine, Cendrine Rodriques.
  • Color Background Painters: Marike Guillot, Hector Martinez, Carol Wyastt, Richard Siehler-Martin, Fernand Longatte.
  • Layout Supervisors: Maria Pilar, Richard Fabby.
  • Storyboards: Luc Blanchard, Marc Boreal, Gilles Cazaux, Patrick George, Philippe Leconte, Philippe Vidal, Michel Rodriguez-Alfonso.
  • Storyboard Revisions: Mike Bell, Tom Smith.
  • Storyboard Slugging: Myrna Bushman, Vince Davis, Alan Kennedy, William O. Reed, Gary Scott.
  • Sheet Timers: Alan Kennedy, Michael Longden, Isao Nago, Jeffrey Peterson, Gary Scott, Mike Stribling.
  • Music Supervisor: Karyn Ulman.
  • Music Assistant: Delfino Hernandez.
  • Music: Jean-Michel Guirao.
  • Main Title Animation: Animasia, Ltd.
  • Main Title Audio: Gnome Productions.
  • Segment Title Animation: Spaff Animation Incorporated, Hong Ying Animation.
  • Segment Title Audio: Zap Studios.
  • Sound EFX Editors: Greg Bach, Larry Ellis, Steve Jaszkowiak.
  • Offline and Online Editing: Pascal Gaugry, Carine Mani Castri, Nathalie Jouglet.
  • Supervisors: Luc Heripret, Stephanie Egly.
  • Post Production: Studios De St-Ouen.
  • Post Production Supervisor: Jennifer Pelphrey.
  • Post Production Technical Supervisor: Tonda S. Lark.
  • Video Post Production: Telcipro.
  • Post Production Coordinators: Nadia Ameziane, Raphael Sibilla.
  • Audio Post Production: Telcipro.
  • Music Editors: Charles Autran, Patrick Beraud, Katia Boutin, Alain Feat.
  • Mixer: Philippe Amouroux.
  • Production Services: Le Studio Ellipse.
  • Overseas Supervisor: Dan Hunn.
  • Animation Produced by: Hong Ying Animation Company, Limited.
  • Development Consultant: Phil Harnage.
  • Director of Research: Renee Toporzysek.
  • Research Assistant: Jay Bryant.
  • Executive in Charge of Production-DIC: Stacey Gallishaw.
  • Production Supervisor: Emily Wensel.
  • Assistant to Production: Tracy Hansen.
  • Executive in Charge of Production-LST: Daniel Schwall.
  • Production Supervisor: Parastou Farivar.
  • Production Coordinators: Jerome Gross, Shannon Nettleton, Treasure Rawson, William C. Turner.
  • Production Assistants: Sidonie Legourrierec, Anne Deyries.
  • Creative Supervisors: Andy Heyward, Mike Maliani.


  • 1997 Telcima Sa/Les Studios Tex Darl/DIC Productions L.P.



    A Co Production of Telcima Sa/Les Studios Tex Sarl/DIC Productions L.P.

    With the participation of Centre National du Cinematographic; partly produced in Lasembodrg (Europe) with the help of the programme de certifical d' investissenment.

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Cartoon Summary:


Power Pooch is determined to protect the wealth of a solitary old lady until he discovers that she is inadvertently more dangerous than the criminal element.

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