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- Casting: Ellen Chenoweth.
- Casting Assistant: Lisa Clarkson.
- Extra Casting: Central Casting.
- Art Direction: Donald Woodruff.
- Property Master: Barbara Adamski.
- Animator: Don Waller.
- Animation Sequence: Sally Cruikshank.
- Assistant Property Master: David P. Newell.
- Construction Coordinator: Walton D. Hadfield.
- Construction Foreman: James F. Walker.
- Visual Consultants: Jon Hutman, Lilly Kilvert.
- Painter: John Tyrrell.
- Stand-By Painter: Anthony Leonardi.
- Greensman: Rubin Andreatta.
- Lead Man: Mark Hite.
- Set Designer: William Teegarden.
- Plasterer: Victor M. Shannon.
- Set Decoration: Anne D. McCulley.
- Costume Design: Rosanna Norton.
- Costume Supervisor: Eric H. Sandberg.
- Costumer: Frances Vega.
- Wardrobe: Bella Brookalyna.
- Makeup Artist: Brad Wilder.
- Hair Stylist: Barbara Lorenz.
- Special Effects Coordinator: John Frazier.
- Special Effects Foreman: Scott Forbes.
- Special Effects: Rocky Gehr.
- Unit Production Manager: Jeffrey Chernov.
- First Assistant Director: Bill Beasley.
- Second Assistant Director: Bruce Humphrey.
- Second Second Assistant Director: Dannielle J. Weiss.
- Second Unit Director: Joel Chernoff.
- Cinematography: Jan de Bont.
- First Assistant Camera: William Waldman.
- Second Assistant Camera: William Coss.
- Camera Operator: Michael Scott.
- Still Photographer: Laurel Davis Moore.
- Key Grip: Bill Decker.
- Dolly Grip: William Kenney.
- Best Boy Grip: Robert O. Moore.
- Best Boy: Víctor Pérez.
- Gaffer: Edward A. Ayer.
- Electrician: Thomas Enright.
- Music: Michel Colombier.
- Music Supervisor: Tommy Mottola.
- Music Editor: Michael Tronick.
- Assistant Music Editor: David Moritz.
- Music Mixer: Frank Wolf.
- Music Supervision: Champion Entertainment Organization Inc.
- Soundtrack: Epic Records.
- Supervising Sound Editors: Charles L. Campbell, Louis L. Edemann.
- Sound Editors: Larry Carow, Samuel C. Crutcher, Mike Dobie, Chuck Neely.
- Assistant Sound Editor: Craig Clark.
- Apprentice Sound Editor: Kim Nolan.
- Sound Mixer: Thomas Causey.
- Sound Re-Recording Mixers: Rick Kline, Donald O. Mitchell, Kevin O'Connell.
- Utility Sound: Darcy Vebber.
- Stereo Sound Consultant, Dolby: David W. Gray.
- Supervising ADR Editor: Larry Singer.
- ADR Editor: Alan L. Nineberg.
- Assistant ADR Editor: Rod Rogers.
- Boom Operator: Joseph F. Brennan.
- Foley Artist: John Roesch.
- Audio Post-Production Services: Private Island Audio.
- Editors: Gib Jaffe, Arthur Schmidt.
- First Assistant Editor: Peter Lonsdale.
- Second Assistant Editor: Jeffrey James Bell.
- Apprentice Film Editors: Neil Kirk, Lynne Bailey Smith.
- Negative Cutter: Gary Burritt.
- Stunt Coordinator: Walter Scott.
- Stunts: Phil Adams, Gregory J. Barnett, Ray Bickel, Bradley James Bovee, Danny Costa, Charles Croughwell, Vince Deadrick Jr., Vince Deadrick Sr., Richard Drown, Diamond Farnsworth, Ralph Garrett, Gene Hartline, Loren Janes, Sasha Jenson, Tracy Lyn Keehn, Wayne King, Max Kleven, Faith Minton, Carol Neilson, Kathleen O'Haco, Carol Rees,Patrick Romano, Ben R. Scott, John-Clay Scott, Walter Scott, Brian Smrz, C. Ransom Walrod, Mike Watson, Ted White.
- Transportation Coordinators: James R. White, Randy White.
- Transportation Captain: Steve Hellerstein.
- Production Coordinator: Karen Penhale.
- Production Assistants: Caroline Blair, Joni Chadkin, Rodney Liber, Louis Phillips, Heidi Schulte, Jill Vandermeer.
- Personal Assistant to Director: Paul Rahmes.
- Assistant, Mrs. Midler: Eugenia Weston.
- Location Manager: Richard Davis.
- Pitcher: Dwight Gooden.
- Utility Infielder: Félix Mantilla.
- Fairway: Rich Markey.
- Script Supervisor: Doris Grau.
- Unit Publicity: Donald Levy.
- Special Projects: Carl Mazzocone.
- Expendables: BT Industrial Supply.
- Animals Provided By: Birds & Animals Unlimited.
- End Titles: Modern Film Effects.
- Opticals: Modern Film Effects.
- Marine Coordination: Studio Sea.
- Production Auditor: Paul Steinke.
- Executive in Charge of Production, Walt Disney Studios: David Hoberman.
- Thanks: Joseph Abrahams, Nancy Abrahams, Susan Breslau.
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Ruthless People