Reviews written by Unknown Tag: 'Username' (1 review)

Reviews written by Unknown Tag: 'Username' (1 review)

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Melody Time Unknown Tag: 'pic_title'
1948 2055 (Wintertime segment).
Production Number: 2056 (Pecos Bill segment).
Production Number: 2058 (Appleseed segment).
Production Number: 1060 (Samba segment)
13

Walt Disney Studios
 featuring Jenny, Joe ("Once Upon a Wintertime", Bee ("Bumble Boogie", Johnny Appleseed, Johnny's Angel; more Characters More Cartoon Characters...

Melody Time On Video!  Melody Time BCDB Rating: 4 out of 5 stars (4/5 stars from 12 users.)

Melody Time 4 out of 5 stars

Andrew Hicks

Reviewed by: skiaugusta, September 03, 2002

Pros: The "Little Toot" and "Trees" segments
Cons: The other five segments
Recommended: No

Plot Details: This opinion reveals minor details about the movie's plot

The parade of Disney re-releases continues with the 50th anniversary edition of Melody Time, one of the mediocre cartoon / live action anthologies from the 1940s. After 1997ís video release of Fun and Fancy Free, I assumed the Disney vault had been cleansed of its bad post-war compilations, but this embarrassing piece of fluff proved me wrong. Whereas Fun and Fancy Free only had two real segments, Melody Time has seven and only three short ones Iíd ever watch again.

Most of the segments are in the Fantasia vein of letting the music and visuals tell the story rather than relying on dialogue. Theyíre also in the Fun and Fancy vein of letting stars of the time narrate and sing. I donít know about you, but I donít feel incredibly privileged here in 1998 to hear "Pecos Bill" come from the mouth of Roy Rogers and the Sons of the Pioneers, or to see Carmen Miranda wannabe Ethel Smith spice up "Blame it on the Samba."

Melody Time begins with "Once Upon a Wintertime" (*Ĺ), a story about two pairs of lovers, one human and one furry, who go ice skating, have fights and end up floating away on broken ice floes. Letís just say it doesnít rank up there with Snow White or Dumbo. That segues into "Bumble Boogie" (***), which looks like an outtake from Fantasia. Weíve all seen in other Disney collections this trippy visual of a cartoon bumblebee trying to escape the sound and fury, and itís still cool to watch.

Then comes the familiar Disney version of "Johnny Appleseed" (**), the story of a man who is visited by his guardian angel one day and is told his purpose in life is to plant apple trees. Quite a calling, Iíd say. So Johnny wears a cooking pot on his head, grabs his Bible and bag of appleseed and heads off to introduce the world to the glory of apples. All around the country, you sense, other young men are being called to similar missions. Jimmy Orangeseed, Sammy Peachpit, Greg Cantaloupespore... when will Disney tell their brave stories?

It pretty much sucks, but "Johnny Appleseed" holds a certain nostalgic value for me, if nothing else because we had to sing the theme song before every meal at summer camp when I was a kid. ("Oh, the Lord is good to me, and so I thank the Lord for giving me the things I need -- the sun and the rain and the appleseed.") Itís not the Lordís Prayer, but itíll do in a pinch.

Then thereís the short, beautiful "Trees" (***), based on a Joyce Kilmer poem. It even ends with an allusion to the cross. If Disney had kept this up, Pat Robertson wouldnít be wishing meteors on Orlando.

My favorite part of Melody Time is "Little Toot" (***), even if it is sung by the Andrews Sisters. This is another frequent selection of Disney anthologies, about a rebellious tugboat that frustrates its father tugboat and eventually causes an oceanliner to crash into a seaport city, foreshadowing the end of Speed 2 by a good 49 years. But since itís Disney, after the little tugboat is escorted to the city limits, he manages to find a chance for redemption in an apocalyptic seastorm, foreshadowing the end of The Truman Show by a good 50 years.

Then comes "Blame it on the Samba" (**), where Smith plays her organ and shakes her maracas for a mute Donald Duck and his cartoon parrot cohort to boogie on down. This blend of live action and animation isnít so bad, but most people preferred it the first time, when it was called The Three Cabelleros.

Finally comes the tall tale "Pecos Bill" (*Ĺ). Iíd call it a short tale, actually -- short on entertainment. The only part worthy of note is at the beginning, when Bill is being raised by wolves. He walks into a cave where a group of baby wolves are breastfeeding. Bill crawls into the fray and begins suckling as the camera pans up to show a surprised look of glee on the mama wolfís face. Itís pretty funny, but I know if Disney had kept this up, Pat Robertson would definitely still be calling for meteors to destroy Orlando.
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